vt Tragic Error
France / 25 minutes / bw silent / Gaumont Dir & Scr: Louis Feuillade Cine: uncredited Cast: Suzanne Grandais, René Navarre, Marie Dorly, Ernest Bourbon, Paul Manson.
According to the opening intertitle, René, Marquis de Romiguières (Navarre), and his wife Suzanne (Grandais) are “In their chateau, built atop the battlements of the Cévennes,” where they “enjoy a wonderful honeymoon.” The atmosphere doesn’t seem terribly honeymoonish, to be honest: the couple seem to be a staid and settled pair, content to be waited upon by their elderly housekeeper (Dorly).
One day a note arrives for René from his lawyer, Panonceaux. René’s properties in Paris require some personal attention, and as soon as possible.
Stuck for a couple of days in Paris, far from the arms of his wife, René takes himself to the cinema to see Onésime, Vagabond.
Although, as far as I can establish, Onésime, Vagabond never existed outside the bounds of Erreur Tragique, it’s clearly meant to be one of the (genuine) long-running Onésime series of perhaps nearly eighty silent comedy shorts (authorities differ on the exact number) released between 1910 (Le Rembrandt de la Rue Lepic) and 1918 (Onésime et le Billet de Mille). In the English-language incarnations of these movies the character of Onésime, who was played throughout by Ernest Bourbon (1886–1954), was renamed Simple Simon, which gives you about as much as you need to know of Onésime’s personality: he’s an Innocent Abroad figure whose presence sparks off humor, sometimes quite sharp, sometimes involving social commentary, sometimes of a fantasticated nature. You can watch one of these movies, Onésime Horloger (1912), which falls into the latter category and was written by Feuillade, here (with English intertitles).
While watching Onésime, Vagabond in the Parisian cinema, René is aghast to see none other than his wife Suzanne playing a role. Worse still, the man whose arm she’s on, and who joins her in ribbing the tramp Onésime, is clearly on affectionate terms with her.
Onésime (Ernest Bourbon) clowns on a park bench in front of Suzanne (Suzanne Grandais) and the mystery man (Paul Manson).
You or I might dismiss this as a nothing—who cares if Suzanne was an actress before her marriage, and screen affection is something that actors are paid to mimic—but René falls instantly into the embrace of obsessive jealousy. He Continue reading