A memorable femme fatale!
US / 93 minutes / color / Spark, Vision International Dir: Alan Roberts Pr: Alan Amiel Scr: Neil Ronco Cine: Ilan Rosenberg Cast: Harry Hamlin, Lysette Anthony, Michael Ironside, Olivia Hussey, Bill Nunn, Steve Railsback, Neil Ronco, Sigal Diamant, Joseph Campanella, Reilly Murphy, Christine Mitges, Kristine Rose, Carrie Vanston, Dee Booher, Stan Yale.
It’s been said by various critics that the direct-to-video erotic thriller can be regarded as the modern equivalent of the classic-era film noir. Yes, there were some A-feature noirs back in the 1940s and 1950s, but the vast majority of what we think of as films noirs—including many that have attained “classic” status—were B-movies in which the studio bosses had little interest beyond making sure they came in under their (usually minuscule) budgets. The way was thus open for directors like Fritz Lang and Robert Siodmak to do more or less what they wanted without the heavy hand of the studio bosses on their shoulder. Similarly, all that the movie companies responsible for modern erotic thrillers care about is that there’s enough sex and nudity to keep the punters happy and that the project comes in under budget. This allows enormous latitude to directors and scripters to create the movies they actually want to create . . . just so long as the other parameters are met.
Ellie (Lysette Anthony) sends frantic eye signals to Jim as she hugs Oliver (Michael Ironside).
Save Me is a very good case in point. Here we have, if not a first-rate, then certainly a perfectly creditable neonoir/psychological thriller that contains quite a few Continue reading