Date with Disaster (1957)

UK / 60 minutes / bw / Fortress, Eros Dir: Charles Saunders  Pr: Guido Coen Scr: Brock Williams Cine: Brendan Stafford Cast: Tom Drake, William Hartnell, Shirley Eaton, Maurice Kaufmann, Michael Golden, Richard Shaw, Deirdre Mayne, Charles Brodie, Peter Fontaine, Robert Robinson, John Drake, Robert Mooney, Van Boolen, Hubert Hill

A neat little piece of UK borderline noir that must have been a very welcome second feature back in the day. Indeed, it was B-features of this kind and caliber, not to mention all the EDGAR WALLACE MYSTERIES and Edgar Lustgarten’s cheesy true-crime shorts, that first made me a dedicated cinemagoer. Sad that there’s no room for such stuff in the modern multiplex.

Miles Harrington (Tom Drake) came to the UK for the love of a British girl. She dumped him cruelly but somehow he never quite went home, and now he holds a secret torch for her kid sister Sue Miller (Eaton)—as does she for him. Trouble is, Sue’s going steady with Miles’s business partner Don Redman (Kaufmann).

William Hartnell as Tracey

Shirley Eaton as Sue

Miles and Don run a used-car dealership, Highgrade Autosales, in London. While Miles himself is as straight as a die, the same can’t be said for Continue reading

Question of Adultery, A (1958)

vt The Case of Mrs. Loring
UK / 86 minutes / bw / Flamingo, Raystro, Eros Dir: Don Chaffey Pr: Raymond Stross Scr: Anne Edwards, Denis Freeman Story: A Breach of Marriage (1948 play) by Dan Sutherland Cine: Stephen Dade Cast: Julie London, Anthony Steel, Donald Houston, Anton Diffring, Andrew Cruickshank, Frank Thring, Conrad Phillips, Kynaston Reeves, Arthur Gomez, Georgina Cookson, Richard Caldicot, John Rae, Mary Mackenzie, John Fabian, Rodney Burke, Philip Holles, Michael Logan, Sam Kydd, John Charlesworth, Max Brimmel, Van Boolen.

Question of Adultery - 1 Mary in Court

Mary (Julie London) in court.

A courtroom drama adapted from a play, with a long flashback as its centerpiece giving the backstory that has led the protagonists to the court.

UK racing car driver Mark Loring (Steel), plagued by anger-management issues and general juvenility, is obsessively jealous of his US wife Mary (London), who gave up her successful singing career to be his bride. She is cordially loathed by Mark’s tycoon father, Sir John Loring (Sydney), in large part because Sir John’s wife, who walked out not long after Mark was born, was likewise a US chanteuse, and in perhaps even larger part because Sir John wants to possess his son entirely; as Mary tells the old man early on:

Mark? Your property, that’s all Mark is to you. Just a piece of property, like your ships or your factories. And you try to buy him from me like a piece of real estate. Well, I’m not selling. You haven’t got enough love to buy him with.

At the Iberian Grand Prix, which Mark wins, he’s incensed when one of the mechanics, Mario Fiorenzo (a hopelessly miscast Phillips), takes a very obvious shine to her. That evening at the hotel, Mario engineers a casual meeting in the bar with her; she cleverly defuses the situation when Mark turns up. But it’s not so easy when Continue reading