US / 71 minutes / color / Just Greene, CBS Dir: Eric Laneuville Pr: Vanessa Greene Scr: Alfred Sole, Paul Monette Cine: Matthew F. Leonetti Cast: David Rasche, Paul Le Mat, Leaf Phoenix (i.e., Joaquin Phoenix), Kellie Martin, Barry Corbin, Paddi Edwards, Deborah Wakeham, Dean Wein, Kendall McCarthy, Eric Love, T.C. Ryan, Jeff O’Haco, Eric Harrison, Betty Bridges, David Raynr
Although its two lead protagonists are children, this is arguably not a children’s movie. I’m not sure it’s entirely a movie for adults, either, since, while it deals tangentially with adult subjects like sex and adultery and features a psychopath, it doesn’t do so in any especially analytic and/or graphic fashion. For similar reasons, it doesn’t really cut it as a family movie, either. Best just to take it on its own terms, then, and enjoy it as the lightweight piece that it is.
Kellie Martin as Jenny
Leaf (Joaquin) Phoenix as Drew
Of course, there are plenty of movies that have child protagonists yet aren’t aimed at children—or, on occasion, even suitable for a youthful audience. Writing now, late on a Sunday night, just off the top of my head, I can think immediately of a few noirish examples: Continue reading
Lizabeth Scott triumphs in an underrated noir classic!
vt Killer Bait
US / 100 minutes / bw / Hunt Stromberg, UA Dir: Byron Haskin Pr: Hunt Stromberg Scr: Roy Huggins Story: Too Late for Tears (1947, originally serialized in Saturday Evening Post) by Roy Huggins Cine: William Mellor Cast: Lizabeth Scott, Don DeFore, Dan Duryea, Arthur Kennedy, Kristine Miller, Barry Kelley, Smoki Whitfield, David Clarke, Billy Halop.
If there was any single movie or actor that set me off on the long and winding course toward writing A Comprehensive Encyclopedia of Film Noir, Too Late for Tears was that movie and Lizabeth Scott was that actor.
I first watched the movie sometime in the early 2000s. Before that I’d written quite extensively on animation—in fact, I’d not so very long before seen publication of my book Masters of Animation—and on fantasy movies, for The Encyclopedia of Fantasy, edited by John Clute and myself. I’d been playing around with various ideas for more books on animation and/or the cinema of the fantastic, but then, for some reason—perhaps just because it came on TCM while I was sitting on the couch, who knows?—I found myself watching Too Late for Tears for the first time.
And it felt like coming home.
Of course, I’d watched countless films noirs before then, and liked them a lot—The BLUE DAHLIA (1946) was a particular favorite (have I ever mentioned my longtime crush on Veronica Lake?)—but Continue reading