Assignment—Paris (1952)

vt Assignment: Paris; vt European Edition
US, France, Italy / 84 minutes / bw / Columbia Dir: Robert Parrish (plus an uncredited Phil Karlson) Pr: Samuel Marx, Jerry Bresler Scr: William Bowers Story: Trial by Terror (1952 Saturday Evening Post) by Pauline and Paul Gallico, adapted by Walter Goetz, Jack Palmer White Cine: Burnett Guffey, Ray Cory Cast: Dana Andrews, Marta Toren (i.e., Märta Torén), George Sanders, Audrey Totter, Sandro Giglio, Donald Randolph, Herbert Berghof, Ben Astar, Willis Bouchey, Earl Lee, Joseph Forte, Pál Jávor, William Woodson.

Although based on a Gallico serial, this Cold War outing becomes a surprisingly tough piece that’s full of noir sensibilities and has a cast to match. It’s set in Paris and Budapest, with filming being done on location in both cities; what the Hungarians thought about the finished product is anyone’s guess.

We open at the New York Herald Tribune’s Paris HQ, where, according to the narrator (Woodson),

“Into the offices early last year came a phone call that made one of the most shocking headlines of the day. This is the story of the man who tried to break through an iron wall of censorship to get the facts behind that headline . . .”

The man in question is hotshot young reporter Jimmy Race (Andrews). The phone call was from the Trib’s man in Budapest, Barker (Forte), and concerned the sentencing there of an American, Robert Anderson, to twenty years’ hard labor for espionage.

Meanwhile the Trib’s Paris editor, Nick Strang (Sanders), has ordered the paper’s other reporter in Budapest, Jeanne Moray (Torén), back to base despite the fact that she’s been hot on the trail of a story that would Continue reading

Highly Dangerous (1950)

UK / 89 minutes / bw / Two Cities, GFD, Rank Dir: Roy Ward Baker Pr: Antony Darnborough Scr: Eric Ambler Cine: Reginald Wyer Cast: Margaret Lockwood, Dane Clark, Bill Casey, Marius Goring, Naunton Wayne, Wilfrid Hyde-White, Eugene Deckers, Olaf Pooley, Gladys Henson, Paul Hardtmuth, Michael Hordern, Eric Pohlmann, Joan Haythorne, Anton Diffring, Anthony Newley, Ewen Solon, Michael Rittermann, Lance Secretan.

Highly Dangerous - closer

Entomologist Frances Gray (Lockwood) is asked by her boss Rawlins (Hordern) and Mr. Hedgerley (Wayne) from the Secretariat of the Imperial General Staff if she could go to an obscure Iron Curtain country to investigate the possibility that a scientist called Kassen has succeeded in breeding insecticide-resistant fruitflies that could be used as vectors for germ warfare against the West.

Highly Dangerous - 1 Mr Hedgerley recruits

Mr Hedgerley (Naunton Wayne), Frances’s recruiter.

She refuses point-blank: she’s just about to go on her hols to Torquay. Hedgerley hitches a lift from her to the station, and en route she plays the night episode of the radio serial Frank Conway, Secret Agent. It is her duty to do so nightly, so that she can tell the story to Continue reading

Violent Moment (1959)

vt Rebound
UK / 61 minutes / bw / Independent Artists, Anglo–Amalgamated Dir: Sidney Hayers Pr: Bernard Coote Scr: Peter Barnes Story: “A Toy for Jiffy” (1956; Ellery Queen’s Mystery Magazine) by Roy Vickers Cine: Phil Grindrod Cast: Lyndon Brook, Jane Hylton, Jill Browne, John Paul, Rupert Davies, Moira Redmond, Bruce Seton, Martin Miller, Frederick Piper, Martin Boddey, Gerald Anderson, John Boxer, Leonard White.

Violent Moment - 0 moodsetter

London, soon after the end of WWII, and wastrel Douglas “Doug” Baines (Brook) is wary of the coppers on every corner because he’s an Army deserter. He makes his way as best he can, helping to support his mistress, Daisy Hacker (Hylton), and their infant son Jiffy on what we suspect are generally slim pickings. One day, though, he’s obviously flush because he spends 15/6 (15 shillings and sixpence)—a small fortune in those days—at the toyshop of Jenkins (Piper) on a cackling tumbler-doll clown for Jiffy, upon whom he obviously dotes; indeed, we sense that Doug is really defined by his love for Jiffy. When he gets home, though, it’s to discover that Daisy has sold the child into adoption for twenty pounds. She’s scathing in her estimation of Doug:

“Twenty pound. I suppose you’ll want your cut.”

 And:

“And another thing. You pretending to believe that I got all that money working as a waitress. You’ve got eyes in your head the same as other men. You know perfectly well where that money came from.”

 

Violent Moment - 1 Doug, Daisy & the tumbler doll

Doug (Lyndon Brook) shows Daisy (Jane Hylton) the toy he’s bought for Jiffy.

As he tries to force out of her the name and address of the adoptive parents so he might Continue reading