The war between small-town hypocrisy and a reformed sinner’s integrity!
US / 64 minutes / bw / Republic Dir: Harry Keller Scr: John K. Butler Story: Turn Home (1945) by Eleanor R. Mayo Cine: John MacBurnie Cast: Dorothy Patrick, Arthur Franz, Barbra Fuller, James Lydon, Harry Shannon, Don Beddoe, Byron Barr, Alex Gerry, Hal Price, Stephen Chase, Esther Somers, Paul E. Burns, Ethel Wales, Michael Vallon, Everett Glass.
On their way home to the small town of Harbor, Maine, after a night out, the dangerous driving of Joe Pettigrew (Barr) terrifies his girlfriend, Lou Jellison (Patrick). Once they’ve lost a pursuing speed cop, she seizes the keys and insists on driving the rest of the way. During the changeover a hitchhiker, Bud Dolliver (Franz), begs a lift.
Joe (Byron Barr) appalls Lou (Dorothy Patrick) with his crazy driving.
Bud has been absent from Harbor for seven years, seven years during which the locals have assumed he was in jail—after all, he’d been a wild one before his departure. Just about no one wants him back, a major exception being his old girlfriend Nina (Fuller). He encounters Nina at Barron’s Beer Parlor in town, and she immediately dumps her escort, Junior Bunker (Lydon), in favor of Bud; she makes it absolutely clear she’d like it if she and Bud could pick up where they left off, and Continue reading
The sassy crime reporter, her sidekick photographer
. . . and murder! Have we been here before?
vt Here We Go Again
US / 57 minutes / bw / American Productions, PRC Dir: Albert Herman Pr: Donald C. McKean, Albert Herman Scr: John T. Neville Cine: Ira Morgan Cast: Frank Jenks, Robin Raymond, H.B. Warner, Ray Walker, Davison Clark, Bob Homans, Frank McGlynn, Pat Gleason, Edward Keane, Earle Dewey, Milton Kibbee, Gene Stutenoth, George Kirby, Norval Mitchell, John Valentine, Jack Raymond, Parker Gee.
One of the countless comedy mysteries that were churned out as B-movies in the 1930s and 1940s, this features a familiar pair of protagonists: the smartass reporter and her photographer sidekick.
Reporter Patsy Clark (Robin Raymond) and photographer Eddie Jones (Jenks)—not Eddie Parker, as sometimes listed—work for the Daily Express. Just to avoid confusion, this isn’t the London Daily Express but a newspaper—a newspaper seemingly somewhere in California, presumably not too far from the PRC lot. Their editor, Gentry (Keane), sends them out to cover the story of a new invention devised by one Professor Reynolds (Warner) under the auspices of the Emerson Foundation, whose head is John Foster (Clark). Even though Foster’s nephew Jimmie (Walker) is a journalist, Foster and his companions on the Emerson Foundation board don’t much hold with the breed, and so Foster’s butler Duckworth (Kirby) throws Patsy and Eddie out on their ears when they try to get in for an interview.
Patsy (Robin Raymond) and Eddie (Frank Jenks) try to put a bold face on their latest failure. That thing on Patsy’s head is a hat, and it’s apparently glued there.
Their next attempt is to go to the Emerson Foundation labs hoping to Continue reading