UK / 70 minutes / bw / Danziger, UA Dir: Ernest Morris Pr: Edward J. Danziger, Harry Lee Danziger Scr: Brian Clemens, Eldon Howard Cine: Jimmy Wilson Cast: Dermot Walsh, Hazel Court, Jennifer Jayne, Ferdy Mayne, Ernest Clark, Martin Benson, Diana Chesney, David Lander, Gordon Tanner, Paul Dickson.
Brian Clemens, later to earn a place in television history with the hugely popular series The Avengers (1961–9), was clearly popular at the Danzigers B-feature studio around the late 1950s and early 1960s. Their relevant ventures together include:
- The DEPRAVED (1957)
- THREE SUNDAYS TO LIVE (1957)
- MOMENT OF INDISCRETION (1958)
- THREE CROOKED MEN (1958)
- The PURSUERS (1961)
- RETURN OF A STRANGER (1961)
- Two Wives at One Wedding (1961)
A Woman of Mystery is a fairly typical Danzigers production, although not so typical of Clemens’s screenplays. The plot lacks his trademark twists and turns and especially that slightly surreal edge that tends to mark his work. It’s a good workmanlike tale, though, and on the whole competently acted by a not insignificant cast. What lets it down are the production standards—a point I’ll come back to. Michael Caine has an uncredited bit part as a thug; no comment.
Dermot Walsh as Ray and Hazel Court as Joy.
Jane Hale (uncredited), a hatcheck girl at the Flamingo Club, seemingly gasses herself. Harvey (Clark), editor of Fact, “the magazine of private and confidential stories,” thinks her death might make a good human-interest story, and sets crack reporter Ray Savage (Walsh) the task of investigating this potential “woman of mystery.”
Jennifer Jayne as Ruby.
Needless to say, Ray’s digging reveals Jane didn’t commit suicide at all: she was murdered. After interviewing a bunch of people Continue reading
The first Dick Barton movie!
vt Dick Barton, Detective
UK / 69 minutes / bw / Marylebone-Hammer, Exclusive Dir: Alfred Goulding Pr: Henry Halsted Scr: Alan Stranks, Alfred Goulding Based on: Dick Barton—Special Agent (1946–51 BBC radio series), devised by Norman Collins and scripted by Edward J. Mason and Geoffrey Webb Cine: Stanley Clinton Cast: Don Stannard, George Ford, Jack Shaw, Gillian Maude, Beatrice Kane, Ivor Danvers, Geoffrey Wincott, Arthur Bush, Alec Ross, Farnham Baxter, Morris Sweden, Ernest Borrow, Janice Lowthian, Campbell Singer, Billy Howard.
The first and the least of the three movies based on a hugely popular BBC radio series, Dick Barton—Special Agent (1946–51). The radio series appeared in the form of a nightly 15-minute episode Monday through Friday, with an hour-long omnibus version broadcast on the Saturday. Dick Barton was a sort of cleaned-up Bulldog Drummond; alternatively you might think of him as a prototypical James Bond. In his radio incarnation the stories were action-packed stuff. In this first of the Hammer screen adaptations, the studio made the foolish mistake of Continue reading
No, it’s not an Ealing comedy as the title might suggest. Instead it’s a Brian Clemens thriller, with many of his usual quirks.
UK / 64 minutes / bw / Danziger, Paramount Dir: Montgomery Tully Pr: Edward J. Danziger, Harry Lee Danziger Scr: Brian Clemens, Eldon Howard Cine: Bert Mason Cast: Gordon Jackson, Christina Gregg, Lisa Daniely, André Maranne, Humphrey Lestocq, Viola Keats, Douglas Ives, John Serret, Annette Carell, Steve Plytas, Gertan Klauber, Michael Anthony, Julian Sherrier, Andre Charisse.
Rising physician Tom Murray (Jackson) is celebrating his marriage to Christine “Chris” Ervine (Gregg) when an unexpected guest arrives at the reception: Annette Montand (Daniely), whom Tom knew during his time as an ambulance driver in Normandy during the war. Once they’re alone she drops her bombshell: Tom married her in France and, even though the event is lost to the weeks of amnesia he suffered after being shot up in August 1944 by the Gestapo, she has a marriage certificate and other evidence to prove it:
Annette: “It was not a gay ceremony. Continue reading