An Edgar Wallace yarn about a man addicted to the geegees . . . and to the curves of Greta Gynt!
UK / 77 minutes / bw / Gainsborough, GFD Dir: Arthur Crabtree Pr: Antony Darnborough, Sydney Box Scr: Geoffrey Kerr Story: The Calendar (1929 play) and The Calendar (1930), both by Edgar Wallace Cine: Reg Wyer, Cyril J. Knowles Cast: Greta Gynt, John McCallum, Raymond Lovell, Sonia Holm, Leslie Dwyer, Charles Victor, Felix Aylmer, Noel Howlett, Sydney King, Barry Jones, Diana Dors, Claude Bailey, Desmond Roberts, Fred Payne.
A modest but rather jolly screen adaptation of one of Edgar Wallace’s plays, which he subsequently rewrote as a novel. In fact, this wasn’t the first adaptation; it was preceded by The Calendar (1931; vt Bachelor’s Folly) dir T. Hayes Hunter, with Herbert Marshall, Edna Best and Anne Grey, which I haven’t seen. This, the 1948 remake, while in theory a thriller has in practice many of the attributes of a bedroom farce, although it’s not really a comedy either: just a piece of entertainment.
Captain Garry Anson (McCallum), a compulsive better on the ponies, owns a string of racers; his trainer is the lovely Lady Mollie Panniford (Holm), who, as a woman, is a rarity in the male-dominated horse-training world of the time. “What you mean is that, as a girlfriend, I’m a pretty good trainer,” she observes ruefully to him at one stage. The reason for the rue is that he’s besotted with Wenda (Gynt), to whom he’s been engaged for many a yonk. Then the news comes that the will of his recently deceased aunt has brought him Continue reading
vt The Frightened Lady; vt The Scarf Murder Mystery
UK / 80 minutes / bw / Pennant, British Lion Dir: George King Pr: S.W. Smith Scr: Edward Dryhurst Story: The Case of the Frightened Lady (1931 play) by Edgar Wallace Cine: Hone Glendinning Cast: Marius Goring, Penelope Dudley Ward, Helen Haye, Felix Aylmer, George Merritt, Ronald Shiner, Patrick Barr, Roy Emerton, George Hayes, John Warwick, Elizabeth Scott, Torin Thatcher.
In a decaying country pile, Mark’s Priory, live the last of the ancient Lebanon lineage, the widowed Lady Lebanon (Haye), her pianist/composer son William “Willie”, Lord Lebanon (Goring), and the latter’s second cousin, Isla Crane (Dudley Ward), who works as Lady Lebanon’s secretary.
There are many peculiarities about the household. For one, the servants are barred from entering the main portion of the house after 8pm, at which time the two sinister footmen Gilder (Emerton) and Brooks (Hayes) take over. For another, the room in which the late Lord Lebanon spent his last years of illness and eventually died is kept permanently locked. A frequent visitor from London is the sinister physician Dr. Lester Charles Amersham (Aylmer), who seems to have some hold over Lady Lebanon and certainly has been extracting large sums of money from her. And someone has just put a bolt on the outside of the bedroom door of Isla Crane—who’s in consequence the (understandably) frightened lady of the title.
The frightened lady . . . with pursuing shadow . . .
Lady Lebanon is urgently intent that her son marry Isla pronto in order to continue the line. Unfortunately for her plans, Continue reading