o/t: oh, it’s New Year, is it?

Many thanks to everyone whose visits and comments through 2014 have made it seem worth my while continuing with Noirish. The year has seen a steady growth in the site’s traffic; golly, but I felt as if I was channeling Mitt Romney when I typed that.

It’s not a feeling I much wish to revisit.

Whateffer, as they say in my homeland, I hope everyone who visits this site regularly, occasionally or even (and here I’m stretching what little human sympathies I have) <i>never</i> has a great 2015. It’d be good, too, if the world as a whole had a great 2015, but that would involve US politics somehow ridding itself of its corruption and beginning to act in the interests of the American people, and of the planet.

Here are the movies about which I posted essays on <i>Noirish</i> during 2014. I’d hoped that each title would link to the relevant page, but the gods of WordPress decided that This Was Not To Be. The list includes the movie about which I’ll be posting tomorrow — a spiffy Japanese neonoir that you owe it to yourself to see.

January
Secret, The (1997 TVM)
Shadow, The (1933)
Tiger Bay (1934)
Wenn es Nacht Wird auf der Reeperbahn (1967)
Woman’s Secret, A (1949)
East, The (2013)
After Alice (1999)
Amateur Crook (1937)
American Gangster (2007)
Black Hand, The: True Story of a Recent Occurrence in the Italian Quarter of New York (1906)
Dead Man Down (2013)
Fat Man, The (1951)
Fear is the Key (1972)
Flirting with Fate (1916)

February
Girl in Gold Boots (1968)
Hotel Berlin (1945)
Hotel Noir (2012)
Letter from an Unknown Woman (1948)
Love the Hard Way (2001/2003)
Morton Thompson’s Not as a Stranger (1955)
Night Train (2009 DTV)
Public Eye, The (1992)
Secret Six, The (1931)
Stark Fear (1962)
Teckman Mystery, The (1954)
Call, The (2013)

March
In Cold Blood (1967)
In Cold Blood (1996 TVM)
Capote (2005)
Infamous (2006)
Case of the Missing Heiress, The (1949)
Circus of Fear (1966)
Circus Queen Murder, The (1933)
Dark Light, The (1951)
Double Identity (1990 TVM)
Floater, The (1961 TVM)
Ellery Queen and the Murder Ring (1941)
Evidence of the Film, The (1913)
Fat Man, The: The Thirty-Two Friends of Gina Lardelli (1959 TVM)

April
Felicia’s Journey (1999)
Foreign Correspondent (1940)
Gangster Squad (2013)
Pris au Piège (1957 TVM)
Rikollinen Nainen (1952)
Stand Up Guys (2012)
Tiger Bay (1959)
White Trap, The (1959)
Drag-Net, The (1936)
Four Just Men, The (1939)

May
Anna-Liisa (1922)
Arsenal Stadium Mystery, The (1939)
Banker, The (1989)
Blood (2012)
Candlelight in Algeria (1944)
Convicted (1931)
Douce Violence (1962)
Engagement (2012)

June
Portrait of Jennie (1948)
Frosch mit der Maske, Der (1959)
Girl on the Run (1953)
Moderato Cantabile (1960)
Murder is News (1937)
Three Steps in the Dark (1953)
On Dangerous Ground (1951)
To Kill a Dead Man (1994)
Violent Moment (1959)
You Have to Run Fast (1961)

July
Young Captives, The (1959)
Spy in Black, The (1939)
Out of the Past (1947)
Awful Truth, The (1937)
Public Ransom, A (2014)
Alias Mary Smith (1932)
Baryshnya i Khuligan (1918)
Blind Alibi (1938)
Cage of Evil (1960)
Carrefour (1938)
Counselor, The (2013)

August
Emil und die Detektive (1931)
Bushwhackers, The (1952)
Game (2013)
Floating Dutchman, The (1952)
Geheimnis der Schwarzen Witwe, Das (1963)
Hell’s House (1932)
Something to Live For (1952)
Motel Blue (1997 DTV)
In a Lonely Place (1950)
Voice of Merrill, The (1952)
Ragazza del Lago, La (2007)

September
Ringer, The (1952)
Scarlet Web, The (1954)
Stolen (2009)
Stolen (2012)
Dødes Tjern, De (1958)
Suspect (1960)
Alibi, L’ (1937)
Anni (2011 DTV)

October
Black Widow (1954)
Boîte Noire, La (2005)
Marked Man (1996)
Confessions of a Psycho Cat (1968)
Crime Nobody Saw, The (1937)
Death at Broadcasting House (1934)
Down Three Dark Streets (1954)
Femme Fatale (2013)
Who Killed Aunt Maggie? (1940)
Girl who Dared, The (1944)

November
Hideout, The (1956)
Intruder, The (1933)
Labyrinth der Leidenschaften (1959)
Lizzie (1957)
Maison sous les Arbres, La (1971)
Manche et la Belle, Une (1957)
Midnight Episode (1950)
Missing Million, The (1942)
Night Boat to Dublin (1946)

December
Musta Jää (2007)
Phone Call from a Stranger (1952)
Pokrajina Št.2 (2008)
Premier Cercle, Le (2009)
Rossiter Case, The (1951)
Send for Paul Temple (1946)
Silenzio dei Prosciutti, Il (1994)
Sheng Dan Mei Gui (2013)
Special Investigator (1936)
Tantei Wa Bar ni Iru (2011)

Obviously most of these are borderline noir at best, and quite a few aren’t noir at all (but have some vague form of associational interest, even if only in my fevered brain); there’s a reason why this site has the title it does. I think I probably have the old/new balance about right, although this may be affected in the coming year as I attempt to cover more indies. Another factor is that I’d like to cover more of the noirish Bollywood movies; more non-anglophone movies in general.

I think what I need is two of me.

Special Investigator (1936)

US / 61 minutes / bw / RKO Dir: Louis King Scr: Louis Stevens, Thomas Lennon, Ferdinand Reyher Story: “Fugitive Road” (1935; New York Herald Tribune) by Erle Stanley Gardner Cine: Edward Cronjager Cast: Richard Dix, Margaret Callahan, Erik Rhodes, Owen Davis Jr, Ray Mayer, Harry Jans, Joseph Sawyer, J. Carrol Naish, Sheila Terry, J.M. Kerrigan, Jed Prouty, Russell Hicks, Boothe Howard, Si Jenks.

Special Investigator - 0 opener

Chicago shyster Bill Fenwick (Dix) has just won his latest case, defending mobster Bennie Gray (Rhodes)—a result that brings him both a reproof from the judge for being as bad as the criminals he defends and a fat check from Bennie—when his kid brother George (Davis, whose performance, despite his billing, lasts mere seconds), an investigator for the DoJ, is gunned down by gangster Eddie Selton (Naish). Selton is wounded in the exchange, but escapes.

Grieving, Bill realizes the error of his ways, telling his mercenary fiancée Judy Taylor (Terry): “I’m not a lawyer, Judy. I’m what crooks call a mouthpiece.” To her dismay he refuses the next mobster case lined up for him by the friendly Bennie—the Joe Costello case—and nixes their engagement; she’s none too worried, especially after he gives her Bennie’s $15,000 check as kiss-off . . . and even more so because she’s already seeing more of Bennie than strictly she oughter.

Bill gives Bennie no hint that he’s decided to Continue reading