Shadows on the Stairs (1941)

|
So many seedy secrets behind a boarding house’s doors!
|

vt Murder on the Second Floor
US / 62 minutes / bw / Warner–First National Dir: D. Ross Lederman Pr: Bryan Foy Scr: Anthony Coldeway Story: Murder on the Second Floor (1929 play) by Frank Vosper Cine: Allen G. Siegler Cast: Frieda Inescort, Paul Cavanagh, Heather Angel, Bruce Lester, Miles Mander, Lumsden Hare, Turhan Bey, Charles Irwin, Phyllis Barry, Mary Field, Paul Renay.

shadows-on-the-stairs-0

London, 1937, and on the surface Mrs. Armitage’s boarding house appears tranquil enough. But, as we soon find out, not all is as it seems . . .

The movie opens at the docks. One of Mrs. Armitage’s lodgers, Joe Reynolds (Cavanagh), observes as another, Ram Singh (Bey), helps smuggle a small trunk onto the dock and away. Back at the boarding house next morning, it’s clear that the two are in uneasy, mutually suspicious cahoots.

shadows-on-the-stairs-1-ram-singh-awaits-the-arrival-of-the-smuggled-box

Ram Singh (Turhan Bey) awaits the arrival of the smuggled box.

Not all is well among the building’s other occupants. Startled while clearing away the breakfast things, the maid, Lucy Timpson (Barry), drops a tray of dirty dishes and is promptly and viciously fired by the landlady, ex-actress Stella Armitage (Inescort). Joe has been carrying on a long-term affair with Stella—in fact, it was he who bought the boarding house for her to run ten years ago when her acting days were over. Stella’s chess-fiend husband Tom (Mander), likewise an ex-actor—he boasts he once played the aunt in Charley’s Aunt—is oblivious to the pair’s shenanigans even after a decade. On the other hand, Stella is equally oblivious to the fact that her lover Joe has been canoodling on the side with Lucy.

shadows-on-the-stairs-2-lucy-startled-by-goings-on

Lucy (Phyllis Barry) is startled by various goings-on.

Also living in the house are Miss Phoebe Marcia St. John Snell (Field)—“I usually leave out the Marcia”—a spinster who sublimates her unmentionable yearnings by reading an endless string of fevered romance novels; and a young, would-be playwright, Hugh Bromilow (Lester). Hugh is carrying on with Stella’s daughter Sylvia (Angel), but at least for the moment in what we might call Continue reading

Save Me (1994)

|
A memorable femme fatale!
|

US / 93 minutes / color / Spark, Vision International Dir: Alan Roberts Pr: Alan Amiel Scr: Neil Ronco Cine: Ilan Rosenberg Cast: Harry Hamlin, Lysette Anthony, Michael Ironside, Olivia Hussey, Bill Nunn, Steve Railsback, Neil Ronco, Sigal Diamant, Joseph Campanella, Reilly Murphy, Christine Mitges, Kristine Rose, Carrie Vanston, Dee Booher, Stan Yale.

save-me-0

It’s been said by various critics that the direct-to-video erotic thriller can be regarded as the modern equivalent of the classic-era film noir. Yes, there were some A-feature noirs back in the 1940s and 1950s, but the vast majority of what we think of as films noirs—including many that have attained “classic” status—were B-movies in which the studio bosses had little interest beyond making sure they came in under their (usually minuscule) budgets. The way was thus open for directors like Fritz Lang and Robert Siodmak to do more or less what they wanted without the heavy hand of the studio bosses on their shoulder. Similarly, all that the movie companies responsible for modern erotic thrillers care about is that there’s enough sex and nudity to keep the punters happy and that the project comes in under budget. This allows enormous latitude to directors and scripters to create the movies they actually want to create . . . just so long as the other parameters are met.

save-me-2-ellie-sends-eye-signals-to-jim-as-she-hugs-oliver

Ellie (Lysette Anthony) sends frantic eye signals to Jim as she hugs Oliver (Michael Ironside).

Save Me is a very good case in point. Here we have, if not a first-rate, then certainly a perfectly creditable neonoir/psychological thriller that contains quite a few Continue reading