Paris After Dark (1943)

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Love, death, betrayal and sacrifice in occupied Paris!
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US / 85 minutes / bw / TCF Dir: Léonide Moguy Pr: André Daven Scr: Harold Buchman Story: Georges Kessel Cine: Lucien Andriot Cast: George Sanders, Philip Dorn, Brenda Marshall, Madeleine LeBeau, Marcel Dalio, Robert Lewis, Henry Rowland, Gene Gary, Curt Bois, Michael Visaroff, Ann Codee, Jean Del Val, Raymond Roe, John Wengraf.

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Paris is under Nazi occupation. Renowned surgeon Dr. André Marbel (Sanders) and his principal nurse, Yvonne Blanchard (Marshall), née Benoit, are secretly the leaders of an underground movement dedicated to disseminating anti-Nazi propaganda in the form of posters and tracts, especially targeting the workers in the nearby Beaumont car factory, repurposed by the Nazis to build tanks and armored cars. The effort is not without its dangers, as we discover in the movie’s opening moments, when young Victor Durand (Gary) is gunned down summarily by a German soldier for the crime of flyposting.

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Yvonne (Brenda Marshall).

We assume at first that André and Yvonne must be lovers, but not so: they’re fond friends, no more. Yvonne lives at home with her mother (Codee), her father Lucien (Del Val) and her kid brother Georges (Roe), who works in the Beaumont factory. Yvonne’s husband Jean (Dorn) was a pillar of the Resistance until his capture and imprisonment three years ago. Now he’s among a hundred sick and broken men being released from the labor camp, to be replaced—although this is not yet public knowledge—by five hundred healthy men from the Beaumont plant.

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Jean (Philip Dorn), just one of many sick and broken camp prisoners on the train home to Paris.

The Benoits are delighted by Jean’s return, Yvonne especially, but soon she and her family discover that Jean has changed drastically, thanks to torture and abuse. He now believes that Nazi triumph is inevitable and that the best way forward is to collaborate with the fascist scheisskopfs and just hope to be left in peace to live as well as one can. When he Continue reading

Seven Thunders (1957)

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A serial killer in German-occupied Marseilles!
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vt The Beasts of Marseilles
UK / 96 minutes / bw / Dial, Rank Dir: Hugo Fregonese Pr: Daniel M. Angel Scr: John Baines Story: Seven Thunders (1955) by Rupert Croft-Cooke Cine: John Wilkie Cooper Cast: Stephen Boyd, James Robertson Justice, Kathleen Harrison, Tony Wright, Anna Gaylor, Eugene Deckers, Rosalie Crutchley, Katherine Kath, James Kenney, Anton Diffring, Denis Shaw, George Coulouris, Marcel Pagliero, Gaylord Cavallaro, Leonard Sachs, Martin Miller, Carl Duering, June Cowell, Andreas Malandrinos, Edric Connor, Peter Augustine.

I don’t usually post on a Monday, but today is, according to Aurora and others, National Classic Movie Day (twitterpatable at #NationalClassicMovieDay). So, ever one to leap aboard a passing bandwagon, I bring you this . . .

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In the book of Revelation, Chapter Ten, there’s reference to seven thunders that “utter their voices”; the title of this movie, then—or more accurately the title of its source novel—refers to matters apocalyptic, and sure enough there’s a small-scale apocalypse served up toward the end when the Germans move in to raze the Old Quarter/Old Port region of Marseilles.

It’s 1943 and the trawlerman Salvatore (Pagliero), a Jean Gabin type with a crusty exterior but a heart of gold, brings to the Old Port slum of Marseilles two escaped British prisoners of war, Dave (Boyd) and Jim (Wright), so they can hide out until a passage can be arranged for them to England.

Seven Thunders - 1 The fisherman Salvatore is a stalwart of the Resistance

The fisherman Salvatore (Marcel Pagliero) is a stalwart of the Resistance.

Very soon they encounter, in the apartment block where they’re hiding, Lise (Gaylor), an orphaned young woman who’s using her wits, among other things, to survive the Nazi Occupation. The first encounters aren’t promising: Dave accidentally Continue reading