Shadow of the Law (1930)

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Can William Powell really be the hardened criminal he seems?
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US / 70 minutes / bw / Paramount Dir: Louis Gasnier Scr: Max Marcin, John Farrow Story: The Quarry (1913) by John A. Moroso Cine: Charles Lang Cast: William Powell, Marion Shilling, Natalie Moorhead, Regis Toomey, Paul Hurst, George Irving, Frederick Burt, James Durkin, Richard Tucker, Walter James, Oscar Smith, Harry Strang.

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After a night on the town—seemingly their first date—young engineer Jim Montgomery (Powell) brings home his somewhat hatchet-faced upstairs neighbor at the swanky Franklin Apartments on NYC’s 72nd Street, Ethel George (Moorhead), and inveigles his way into her apartment on the pretext of “a last cigarette” (“or cigar,” he suggests in a Pre-Code manner).

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Jim and Ethel come across Ethel’s lover Lew (Richard Tucker).

Alas, waiting therein is her brutish lover, Continue reading

Bad Company (1931)

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A psycho mobster falls for his sidekick’s wife, with lethal consequences!
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US / 76 minutes / bw / RKO Pathé Dir: Tay Garnett Pr: Charles R. Rogers Scr: Tom Buckingham, Tay Garnett Story: Put on the Spot (1930) by Jack Lait Cine: Arthur Miller Cast: Helen Twelvetrees, Ricardo Cortez, John Garrick, Paul Hurst, Frank Conroy, Harry Carey, Frank McHugh, Kenneth Thomson, Arthur Stone, Emma Dunn, William V. Mong, Edgar Kennedy, Robert Keith.

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It has been claimed that this is the first movie to feature what would later become an iconic cinematic figure in such movies as WHITE HEAT (1949): the psycho gang boss. That boss is played here by Ricardo Cortez, an actor whom one might have assumed to be too bland, too suave, for the role, but in fact he renders it excellently.

Helen King (Twelvetrees) is in love with Steve Carlyle (Garrick), and when he proposes to her aboard the Dalton—the yacht belonging to her brother Markham “Mark” King (Conroy)—she says “Yes!” with all her heart. What she doesn’t know and won’t learn until very much later is that Steve is the protégé of mob leader Goldie Gorio (Cortez). What Steve doesn’t yet know is that King is in actuality the mysterious “Mr. Davis,” the mob boss who has control of the city’s West Side—the East Side is Gorio’s—and that the two bosses have been covertly maneuvering the lovers toward each other:

King: “In the old days, when two powers were at war, the daughter of one royal family was given in marriage to the son of the other. The result was permanent peace.”
Gorio: “So, besides getting the dame you want, Goldie Gorio and, uh, King gets themselves a setup with no interference, hijacking or rough stuff.”
Steve: “That’s great.” [to King] “And you’re willing to hold still for your own sister marrying a hoodlum that’s liable to ‘get his’ any minute?”

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Goldie Gorio (Ricardo Cortez) is full of faux charm.

Steve wants out, so that he and Helen can live a normal life together, but that’s not an option:

Gorio:You’re getting out? There’s only one way out, and you’re too young and beautiful to Continue reading

Phantom in the House, The (1929)

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Spurned by the wife for whom he took a murder rap!
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US / 62 minutes / bw / Continental Dir: Phil Rosen Pr: Trem Carr Scr: Arthur Hoerl Story: The Phantom in the House (1928) by Andrew Soutar Cine: Herbert J. Kirkpatrick Cast: Ricardo Cortez, Nancy Welford, Henry Walthall, Grace Valentine, Jack Curtis, Thomas Curran, John Beck, John Elliott, Larry Steers, Henry Roquemore.

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Margaret “Peggy” Milburn (Valentine), convinced that husband Boyd is an inventive genius, has been leading on the rich Roger Stanwick (uncredited) in hopes of persuading him to invest in Boyd’s ideas. When she breaks it to Stanwick that all she’s offering in return is friendship, and Not What He Thought, he attempts to take what wasn’t on offer and she kills him in self-defense.

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Peggy (Grace Valentine) and Boyd (Henry Walthall) stare down aghast at the man she’s killed.

Boyd (Walthall) is almost immediately on the scene. For the sake of their toddler, Dorothy, and in the belief that a child needs her mother, Boyd takes the rap in Peggy’s place, and is sentenced to life in the pen. While there he regularly sends the blueprints for new inventions to Peggy so she can use them to support herself and Dorothy. He also befriends the thug in the neighboring cell, Biffer Bill (Curtis), who’s fond of promising that on his release there’s gonna be Continue reading

Shadow of Doubt (1935)

US / 75 minutes / bw / MGM Dir: George B. Seitz Pr: Lucien Hubbard Scr: Wells Root Story: Arthur Somers Roche Cine: Charles Clarke Cast: Ricardo Cortez, Virginia Bruce, Constance Collier, Isabel Jewell, Arthur Byron, Betty Furness, Regis Toomey, Ivan Simpson, Bradley Page, Edward Brophy, Samuel S. Hinds, Richard Tucker, Bernard Siegel, Paul Hurst.

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Good-hearted NYC advertising salesman and playboy Simeon “Sim” Sturdevant (Cortez) loves his dear old aunt, Melissa Pilsen (Collier), and she loves him back . . . even though she does her best to present herself to the world as a grim, hatchet-faced old boot. But he has also come to love movie actress Trenna Plaice (Bruce), and wants her to marry him. Aunt Melissa, who has refused to leave her house for over two decades since a tragedy of the heart in her youth, assumes Trenna is planning to marry Sim in hopes of getting her claws on her (Aunt Melissa’s) fortune.

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Virginia Bruce in sultry mode as Trenna.

In reality, after he’s had a fit of nauseatingly patronizing chauvinism (along the lines of “Oh, darling, I’ve always said you’re too beautiful to have any sense”), Trenna tells him to put his head where the sun don’t shine, and Continue reading