Lucky Jo (1964)

France / 87 minutes / bw / UGC, Les Films Sirius, Les Productions Jacques Roitfeld, Belmont, Eléfilm, CFDC Dir: Michel Deville Pr: Jacques Roitfeld Scr: Nina Companeez, Michel Deville Story: Main Pleine (1959) by Pierre-Vial Lesou Cine: Claude Lecomte Cast: Eddie Constantine, Pierre Brasseur, Georges Wilson, Christiane Minazzoli, Claude Brasseur, Françoise Arnoul, Jean-Pierre Darras, André Cellier, Christian Barbier, Anouk Ferjac, Marcelle Ranson, Jean-Paul Cisife, Jean-Pierre Rambal, Pierre Asso, Pierre Le Rumeur, Jacques Echantillon, Willy Braque, Jean-Pierre Moutier, Bernard Mongourdin.

A movie that’s commonly listed as a comedy although it doesn’t comfortably fit that description. Yes, there’s a lot of—often very funny—comedy in it, but there are elements too of tragedy and pathos. Its mixture of moods is rather like that of real life, in fact, where we can laugh at human follies and weep at their tragic consequences.

In Paris, three French crooks—Simon Archambaut (Wilson), Napo (Darras) and Gabriel Farkas (Cellier)—and their expat American colleague, Christopher “Lucky Jo” Jowett (Constantine), use various inventive strategies to commit their crimes; in the opening sequence, for example, we see them dressed as monks to carry out a bank stick-up, afterward fleeing ungainly on foot like crippled bats through the cobbled Parisian streets. The Parisian trio eventually notice, however, that, every time Lucky Jo goes along on a job, something unpredictable goes awry and one of the others ends up doing a jail term.

Eddie Constantine as Lucky Jo (left) and Jean-Pierre Darras as Napo.

Finally it’s the getaway from an apartment burglary that—hilariously—screws up, and this time Jo himself is Continue reading