US / 66 minutes / bw / Universal Dir: William Nigh Assoc Pr: Jack Bernhard Scr: Clarence Upson Young Story: Alex Gottlieb Cine: Woody Bredell Cast: Patric Knowles, Lionel Atwill, Anne Gwynne, Samuel S. Hinds, Mona Barrie, Shemp Howard, Paul Cavanagh, Edmund MacDonald, Mantan Moreland, John Gallaudet, William Gould, Leyland Hodgson, Matty Fain, Mary Gordon, Jan Wiley, Ray Corrigan.
A mysterious serial killer, nicknamed Dr. Rx because of the notes he leaves with his victims, is strangling criminals whom silver-tongued defense attorney Dudley Crispin (Hinds) has succeeded in getting acquitted. Crispin hires PI Jerry Church (Knowles) to protect his current client, manifestly guilty mobster Tony Zarini (Fain). However, Fain dies in the courtroom within moments of his acquittal, surrounded by friends and lawyers yet seemingly strangled like all the others.
Patric Knowles as Jerry.
Detective Captain Bill Hurd (MacDonald) of the NYPD is baffled by the case and wants Jerry to collaborate with the police investigation. Jerry’s brand-new wife, mystery writer Kit Logan Church (Gwynne), is less keen for him to continue, having Continue reading
“Ten million people in London, and it had to be you.”
UK / 66 minutes / bw / Warner Bros. First National Dir: Michael Powell Scr: Brock Williams Story: Third Time Unlucky (1935) by Laurence Meynell Cine: Basil Emmott Cast: Beatrix Thomson, Patric Knowles, Glennis Lorimer, Reginald Purdell, Allan Jeayes, Frederick Piper, Googie Withers, Mabel Poulton, Billy Watts, Davina Craig, Morris Harvey, Bernard Miles.
The title might make us assume this is a courtroom drama, but in fact this quota quickie—an important stop along the road for director Michael Powell’s early career—is a distinctly noirish piece. In one specific respect it appears to be echoed in Raoul Walsh’s THEY DRIVE BY NIGHT (1940), which had George Raft, Ann Sheridan, Humphrey Bogart and the immortal Ida Lupino as its stars.
Molly (Glennis Lorimer) and Chris (Patric Knowles) make a good team.
There are no comparable stars here, with the exceptions of Patric Knowles—who would soon go on to have a prominent Hollywood career, sometimes playing opposite his friend Errol Flynn—and of course Googie Withers (in a small role), plus Glennis Lorimer, whose short acting career (she died far too early) is eclipsed by the fact that she served as the young woman in the mocked-up version of Thomas Gainsborough’s portrait of Sarah Siddons used as an opening-credits logo by Gainsborough Studios.
Mamie (Mabel Poulton) dances close to Chris . . .
. . . but Joe Andrews (Billy Watts) is her true partner.
Naive paint-company clerk Chris Jansen (Knowles) believes himself in love with floozy Mamie (Poulton), and borrows an engagement ring on approval from Continue reading