vt Girls on Probation; vt A Dangerous Age
US / 62 minutes / bw / First National, Warner Dir: Arthur Lubin Scr: Lawrence Kimble Story: Jean Negulesco Cine: George Barnes Cast: Bonita Granville, Dolores Costello, Donald Crisp, Natalie Moorhead, Lucille Gleason, Donald Briggs, Emmett Vogan, Loia Cheaney, Leo Gorcey, Ellen Lowe, Mary Doyle, Paul Everton, Bernice Pilot, Stymie Beard, Meredith White, Gloria Fischer
On the face of it, this looks to be yet another comedy of rebellious youth—and with an appropriately lightweight star to reinforce that impression—but in reality there’s a whole lot more going on in The Beloved Brat than you might expect. And Bonita Granville, while hardly reaching Shakespearian heights, demonstrates that she was a weightier actress than her reputation might suggest.
On the eve of her thirteenth birthday, Roberta Morgan (Granville) is the epitome of the spoiled brat. And it’s hardly any wonder: Daddy, Henry Morgan (Crisp)—whom the screenplay bizarrely rechristens John Morgan later on when another character called Henry turns up—is totally absorbed in his business of making oodles of money, and regards the raising of Roberta as the domain of his wife Evelyn (Moorhead). Trouble is, Evelyn is entirely self-absorbed, devoting all her time to her social life and to fashionable charities that are in reality self-serving; she has no interest in her daughter, and is prone to fits of the vapors whenever thwarted.
Bonita Granville as Roberta
The only person in the household who seems to care much about Roberta is Continue reading
A beautiful and ruthless extortionist — does she have a heart?
vt Murder on the High Seas
US / 61 minutes / bw / Peerless, Hollywood Film Exchange Dir: Robert F. Hill Pr: Al Herman Scr: Robert F. Hill, George Plympton Story: J. Gilbert Cine: E. Fox Walker Cast: Jack Mulhall, Natalie Moorhead, Clara Kimball Young, Edmund Breese, Tom Rickets (i.e., Tom Ricketts), Alice Day, Bill Mong, Montague Love, Dick Alexander, Roy D’Arcy, Lynton Brent, Gordon De Main, Sidney Bracey.
Attractive singer Verna Wilson (Moorhead) has just taken rich elderly magnate John Randolph (Love) to court to the tune of $100,000 for seducing her with false promises, and Randolph’s wife of thirty years, Jane (Young), is preparing to leave him because of his supposed infidelity and her abhorrence of scandal. But their son Dick (Mulhall) believes his father is innocent of impropriety and that Verna is a serial blackmailer who’s pulled off this sort of stunt before.
Natalie Moorhead as Verna.
Abetted by cheap gigolo type Juan de Leon (D’Arcy) and crooked lawyer Howell (Mong), Verna has made quite a career out of Continue reading
Can William Powell really be the hardened criminal he seems?
US / 70 minutes / bw / Paramount Dir: Louis Gasnier Scr: Max Marcin, John Farrow Story: The Quarry (1913) by John A. Moroso Cine: Charles Lang Cast: William Powell, Marion Shilling, Natalie Moorhead, Regis Toomey, Paul Hurst, George Irving, Frederick Burt, James Durkin, Richard Tucker, Walter James, Oscar Smith, Harry Strang.
After a night on the town—seemingly their first date—young engineer Jim Montgomery (Powell) brings home his somewhat hatchet-faced upstairs neighbor at the swanky Franklin Apartments on NYC’s 72nd Street, Ethel George (Moorhead), and inveigles his way into her apartment on the pretext of “a last cigarette” (“or cigar,” he suggests in a Pre-Code manner).
Jim and Ethel come across Ethel’s lover Lew (Richard Tucker).
Alas, waiting therein is her brutish lover, Continue reading
An amiable enough mystery set in the theatrical world and indeed for the most part in a theater.
US / 61 minutes / bw / Larry Darmour Productions, Majestic, Capitol Dir: E. Mason Hopper Pr: Phil Goldstone Scr: Edward T. Lowe Story: The Back Stage Mystery (1930) by Octavus Roy Cohen Cine: Ira Morgan Cast: C. Aubrey Smith, Dorothy Mackaill, Paul Cavanagh, Sam Hardy, Marion Shilling, Russell Hopton, Natalie Moorhead, Hale Hamilton, Ruthelma Stevens, Arthur Hoyt, Jack Mulhall, Dot Farley, Syd Saylor, Herman Bing, Matthew Betz, Cornelius Keefe.
The romantic play Isle of Romance is the talk of the town and its star, handsome Wylie Thornton (Cavanagh), is every woman’s dreamboat. Unfortunately, he seems to be trying to turn that into a physical reality. At current count he’s having affairs with fellow-thespians Anice Cresmer (Shilling) and Doris Manning (Stevens) simultaneously, while Anice’s big sister Lola (Mackaill) seems to have been a conquest not so long ago—and, having been chewed up and spat out herself, is naturally concerned about Continue reading