So many seedy secrets behind a boarding house’s doors!
vt Murder on the Second Floor
US / 62 minutes / bw / Warner–First National Dir: D. Ross Lederman Pr: Bryan Foy Scr: Anthony Coldeway Story: Murder on the Second Floor (1929 play) by Frank Vosper Cine: Allen G. Siegler Cast: Frieda Inescort, Paul Cavanagh, Heather Angel, Bruce Lester, Miles Mander, Lumsden Hare, Turhan Bey, Charles Irwin, Phyllis Barry, Mary Field, Paul Renay.
London, 1937, and on the surface Mrs. Armitage’s boarding house appears tranquil enough. But, as we soon find out, not all is as it seems . . .
The movie opens at the docks. One of Mrs. Armitage’s lodgers, Joe Reynolds (Cavanagh), observes as another, Ram Singh (Bey), helps smuggle a small trunk onto the dock and away. Back at the boarding house next morning, it’s clear that the two are in uneasy, mutually suspicious cahoots.
Ram Singh (Turhan Bey) awaits the arrival of the smuggled box.
Not all is well among the building’s other occupants. Startled while clearing away the breakfast things, the maid, Lucy Timpson (Barry), drops a tray of dirty dishes and is promptly and viciously fired by the landlady, ex-actress Stella Armitage (Inescort). Joe has been carrying on a long-term affair with Stella—in fact, it was he who bought the boarding house for her to run ten years ago when her acting days were over. Stella’s chess-fiend husband Tom (Mander), likewise an ex-actor—he boasts he once played the aunt in Charley’s Aunt—is oblivious to the pair’s shenanigans even after a decade. On the other hand, Stella is equally oblivious to the fact that her lover Joe has been canoodling on the side with Lucy.
Lucy (Phyllis Barry) is startled by various goings-on.
Also living in the house are Miss Phoebe Marcia St. John Snell (Field)—“I usually leave out the Marcia”—a spinster who sublimates her unmentionable yearnings by reading an endless string of fevered romance novels; and a young, would-be playwright, Hugh Bromilow (Lester). Hugh is carrying on with Stella’s daughter Sylvia (Angel), but at least for the moment in what we might call Continue reading