A Portrait of Murder (1955 TVM)

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“What a terrible way for a beautiful dame like that to die.”
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vt Laura
US / 43 minutes / bw / CBS Dir: John Brahm Pr: Otto Lang Scr: Mel Dinelli Story: Laura (1943) by Vera Caspary Cine: Lloyd Ahern Cast: George Sanders, Dana Wynter, Robert Stack, Scott Forbes, Johnny Washbrook, Gloria Clark, Gordon Wynne, Robert Williams, Harry Carter.

Done as an episode of The 20th Century–Fox Hour, this is not so much a remake of Otto Preminger’s classic Laura (1944), which featured Gene Tierney, Dana Andrews, Clifton Webb, Vincent Price, Judith Anderson and Dorothy Adams, as a re-adaptation of Caspary’s novel for the screen. There’s a visible (and visual) awareness of Preminger’s version, but really this is its own entity. Much of the Continue reading

The Spiral Staircase (2000 TVM)

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Not so much a remake, more a sorry porridge!
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Canada, US / 88 minutes / color / Shavick, Saban International Dir: James Head Pr: Shawn Williamson Scr: Matt Dorff Story: Some Must Watch (1933) by Ethel Lina White and (uncredited) The Circular Staircase (1908) by Mary Roberts Rinehart, plus screenplay by Mel Dinelli, Helen Hayes and Robert Siodmak for The SPIRAL STAIRCASE (1945) Cine: Gordon Verheul Cast: Nicollette Sheridan, Judd Nelson, Alex McArthur, Debbe Dunning, Christina Jastrzembska, Dolores Drake, David Storch, William McDonald, Holland Taylor, John Innes, Brenda Campbell, Candice McClure (i.e., Kandyse McClure), Dallas Thompson, Charles Payne, Kristina Matisic.

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Although this movie claims in its opening credits to be a remake of Robert Siodmak’s classic period noir The SPIRAL STAIRCASE (1945), just about everything that distinguished the original movie from a run-of-the-mill murder mystery has been excised.

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Despite all the plot-changes, this remake is ready to offer the occasional visual quote from Siodmak’s original.

Perhaps most importantly, the killer’s motivation has been altered. In the original, the killer has a psychotic detestation of disabilities in women; this puts our heroine, who’s a traumatic mute, in severe danger of being his next victim. Here the motive’s just the humdrum one of financial gain—there’s an inheritance up for grabs—and, when this motive is suddenly produced in the final minutes, it makes no sense, because we’ve been told the killer has been murdering and assaulting pretty young women at random for some while. Furthermore, the muteness of the central character has no real impact on the plot—in fact (and this is actually quite cleverly done), we’re a good few minutes into the movie before we realize she’s mute at all.

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Helen (Nicollette Sheridan) hears a strange noise outside her bedroom.

Here’s the plot in short:

There’s a prologue in which a young girl (not properly identified in the credits) is walking home at night in Westport, Washington State, when she encounters Continue reading