Pola Negri stars in a high melodrama!
US / 77 minutes / bw / Paramount Dir: Mauritz Stiller Pr: Erich Pommer Scr: Jules Furthmann, Edwin Justus Mayer Story: Hotel Imperial (1917 play) by Lajos Biró Cine: Bert Glennon Cast: Pola Negri, James Hall, George Siegmann, Mickael Vavitch, Max Davidson, Otto Fries, Josef Swickard, Nicholas Soussanin.
The opening title of this intriguing silent movie sets the time and place:
“Somewhere in Galicia, March, 1915—when Austrian fought Russian on Austrian ground.”
This is worth remembering because, according to the Turner Classic Movies online database, the movie is set in Hungary. The same site shows a capsule review by Leonard Maltin, which summarizes the plot thus:
“As WW1 floods over the map of Europe, a squad of Austrian soldiers seeks sanctuary in a small village inn, only to find it occupied by enemy Russians. Chambermaid Negri holds the key to their survival.”
This is less worth remembering because, while it does bear some similarities to the movie’s plot, they’re no more than similarities. Also less worth remembering is that IMDB renames Vavitch’s character—calling him Tabakowitsch rather than Petroff—with the result that TCMDB and Wikipedia call him Tabakowitsch as well. I suspect he may have Continue reading
vt Doomed Cargo
UK / 69 minutes / bw / Gaumont–British Dir: Albert de Courville Scr: Sidney Gilliat, Frank Launder, L. du Garde Peach, Austin Melford Story: The Wrecker (1924 play) by Arnold Ridley and Bernard Merivale Cine: M. Greenbaum Cast: Edmund Lowe, Constance Cummings, Thomy Bourdelle, Henry Oscar, Felix Aylmer, Joyce Kennedy, O.B. Clarence, Mark Lester, Allan Jeayes, Anthony Holles, David Horne, Edwin Laurence, James Harcourt.
An entertaining comedy thriller in the same spirit as Hitchcock’s The Thirty-Nine Steps (1935), complete with a couple thrown together at the outset who spend proceedings bickering and bantering until, inevitably, they finally declare undying love. There’s even a shootout in a theater at the end, although in this instance it’s in a cinema rather than a music hall. During that shootout the audience are watching a supposed Gaumont newsreel (akin to the Pathé newsreels and Pathé Pictorials) recounting many of the events of the plot; Seven Sinners begins in a similar vein, almost in the style of a Pathé Pictorial, headlined CARNIVAL AT NICE.
American PI Edward “Ed” Harwood (Lowe) of the Tankerton agency is playing hooky in Nice at the time of the Carnival when he should be in Scotland helping Caryl Fenton of the Worldwide Insurance Co. of New York to sort out a case there. Dressed as the Devil, in keeping with the carnival spirit, Ed gets loaded and consequently Continue reading