Hello Out There (1949)

US / 31 minutes / bw / Huntington Hartford Dir: James Whale Pr: Huntington Hartford Scr: George W. Tobin Story: Hello Out There! (1941 play, staged 1942) by William Saroyan Cine: Karl Struss Cast: Marjorie Steele, Harry Morgan, Lee Patrick, Ray Teal.

Created as a segment of a three-part anthology feature whose other two segments were later paired as the feature Face to Face (1953), Hello Out There is a fairly faithful—perhaps too faithful—adaptation of a William Saroyan one-act play. One odd change (aside from the removal of the exclamation mark from the title) is that the play’s Emily Smith becomes Ethel Smith in the movie.

An itinerant gambler, Photo-Finish (Morgan), is in jail in the small Texas town of Matador, falsely accused of having raped a married woman in the neighboring town of Wheeling. Everyone’s gone home from the jail except the cleaner Ethel Smith (Steele), who cooks for the prisoners whenever there are any. She arrives in response to his incessant calls of “Hello out there!” and an instant bond springs up between the two: “I’m kind of lonesome too,” she says. “Yeah, I’m almost as lonesome as a coyote myself.”

Harry Morgan as Photo-Finish.

Within minutes they’re planning a future life for themselves in San Francisco, where perhaps Photo-Finish’s extended run of rotten luck can end and they’ll find happiness. He explains his moniker:

“Well, every race I bet on turns out to be a photo-finish, and my horse never wins.”

Of course, for their plans to come to fruition, they must get Photo-Finish out of the jail before the anticipated lynch mob arrives . . .

Marjorie Steele as Ethel.

Ray Teal has a small role as Continue reading

Madame Sin (1972 TVM)

UK / 76 minutes / color / 2X, ITC, ABC Dir: David Greene Pr: Julian Wintle, Lou Morheim Scr: Barry Oringer, David Greene Story: Lou Morheim, Barry Shear (creators) Cine: Tony Richmond Cast: Bette Davis, Robert Wagner, Denholm Elliott, Gordon Jackson, Dudley Sutton, Catherine Schell, Pik-Sen Lim, Alan Dobie, Roy Kinnear, Al Mancini, Paul Maxwell, Charles Lloyd Pack, Paul Maxwell, David Healy, Burt Kwouk.

When retired spy Anthony “Tony” Lawrence (Wagner) turns down a recruitment offer made to him by sophisticatedly scuzzy Malcolm de Vere (Elliott), he’s electronically disabled and flown to an island castle somewhere off the Scottish coast that fronts for the hi-tech lair of Ernst Blofeld Madame Sin (Davis).

Bette Davis as Madame Sin.

Madame Sin is a criminal mastermind who’s surrounded herself with scientists, at least one of them officially dead, who’re capable of doing the most alarming things with technology. It’s through using one of their gadgets, an ultrasound gun capable of sending people into a seemingly drugged semi-coma, that de Vere’s henchwomen, disguised as fetching nuns, disabled Tony so de Vere and sidekick Monk (Sutton) can abduct him.

Robert Wagner as Tony.

Denholm Elliott as de Vere.

Tony was lucky, Madame Sin assures him. Turn up the volume on the gadget and it can Continue reading