US / 25 minutes / bw / Four Star, First Run Syndication Dir: Alvin Ganzer Pr: Warren Lewis Scr: Frederic Brady Story: Kathleen Norris Cine: George E. Diskant Cast: Dan Duryea, Beverly Garland, Jo Gilbert, Mack Williams, Ted Bliss, Salvador Baguez, Nancy Matthews
Beverly Garland as Laura
This was shown as Season 1 Episode 3 of the relatively short-lived (two seasons) syndicated TV show The Star and the Story (32 episodes, 1955–6). Each episode was hosted by Henry Fonda, but otherwise they were standalones—in effect, short TV movies. A few actors appeared in more than one episode. This was the only episode to feature noir great Dan Duryea but one of three to feature another noir great, Beverly Garland.
A long time has passed since Kane Madison was beaten to death, a long time during which Jim Ripley (Duryea) spent fifteen years of a twenty-year sentence in the penitentiary for the murder, only to find himself now, Continue reading
Here’s a very shy contribution to this splendid endeavor:
US / 71 minutes / bw / PRC Dir: Basil Wrangell Pr: Marvin D. Stahl Scr: George Bricker Story: Monty F. Collins, Julian I. Peyser Cine: Jack Greenhalgh Cast: Sheila Ryan, Edward Norris, Chill Wills, Kenneth Farrell, James Seay, Frank Orth, Chili Williams, Al LaRue, Charles Mitchell, Phyllis Planchard, Ann Staunton, Arthur Space, Keefe Brasselle, Edward Earle, Terry Moore, Minerva Urecal, Mack Williams.
Vic Morton (Farrell) is the latest singing sensation to come to Hollywood, having signed a contract with Majestic Studios. In a very interesting opening sequence to this movie, we’re shown, after a brief account of Hollywood, the trailer for Vic’s first movie, also called Heartaches, as supposedly projected inside Grauman’s Chinese Theatre. He sings the popular 1931 title song (music by Al Hoffman, lyrics by John Klenner) while languidly romancing an unnamed blonde (Moore).
Cut to a while later. Heartaches has been a big success and Majestic is pushing ahead with Vic’s next vehicle, Broadway Ballad. We discover almost immediately a carefully guarded secret: Vic can’t sing. That mellifluous tenor voice emanates from his regular accompanist, songwriter and old band friend, the homely-faced “Bogey” Mann (Wills), with the handsome Vic merely lip-synching. The pair are rehearsing in the company of publicist Toni Wentworth (Ryan) when the secret is almost blown wide open: into the Continue reading