Twelve Shorts for the Shortest Month #10: Pitch Black Heist (2011)

UK / 14 minutes / bw / DMC, UK Film Council, Film4 Dir & Scr: John Maclean Pr: Gerardine O’Flynn Cine: Robbie Ryan Cast: Michael Fassbender, Liam Cunningham, Alex Macqueen

Shot in glorious black-and-white—and for a chunk of its running time in just glorious black—this enigmatic UK short won a 2012 BAFTA as Best Short Film and was nominated as Best Narrative Short at the 2012 Tribeca Film Festival.

The opening credits play the 1955 Roger Williams version of the classic French song Les Feuilles Mortes (1945) over a scene of stacked boxes in a vault. The song, with music by Joseph Kosma and lyrics by Jacques Prévert, was first used onscreen in Marcel Carné’s Les PORTES DE LA NUIT (1946; vt Gates of the Night). With English-language lyrics by Johnny Mercer, the song reappeared in the Joan Crawford vehicle AUTUMN LEAVES (1956) dir Robert Aldrich. The Roger Williams version is apparently the only piano instrumental to reach #1 in the US Billboard charts, which it did in 1955, remaining there for four weeks.

Ahem. Apologies for the digression.


Alex Mcqueen as Isaac briefs Michael (Fassbender, left) and Liam (Cunningham)

The use of the piece here has, thanks to the tune’s countless cinematic and other incarnations, the effect of gearing us emotionally to anticipate a UK noir of the 1940s/1950s, which is more or less—despite the numerous uses of the f-word (you’d not catch upright, pipe-smoking Ronald Howard saying that in public!)—what’s being homaged in Pitch Black Heist.

Two thieves, Liam (Cunningham) and the far more taciturn Michael (Fassbender), are brought together to pull off a bank job in the City of London. The significant problem they face is Continue reading

Twelve Shorts for the Shortest Month #3: SLR (2013)

UK / 23 minutes / color / Driver, Lighthouse, Stigma, BFI vt The Photographer Dir & Scr: Stephen Fingleton Pr: Matthew James Wilkinson Cine: Luke Bryant Cast: Liam Cunningham, Amy Wren, Richard Dormer, Ryan McParland, Jasmine Breinburg, Charlotte Lewington, River Hawkins, Matt Alexander Kaufman

A beautifully made short movie that generates a surprising amount of sympathy for its main protagonist, superbly played by Liam Cunningham, even though the character concerned is an exploitative creep. The movie was born out of the British Film Institute’s Lighthouse scheme, which funded a number of up-and-coming UK directorial talents, of whom Fingleton was one, to create short movies.

Elliot (Cunningham) is a divorced middle-aged man who, in his loneliness, is dedicated to taking “candid” photographs—“upskirts,” “downfronts,” and so on—of young women in the street, in the park, on the bus, in changing rooms, wherever, and posting these to the online forum he haunts, The Voyeur’s Den.

Liam Cunningham as Elliot

His teenage daughter Alexa (Wren) comes to visit for a few days before heading off to her first term at university. Relations between the two are a bit strained, partly since—although Alexa doesn’t tell Elliot this for a while—she’s Continue reading