Alastair Sim stars in a tale of spies and scares in wartime Scotland
vt Bombsight Stolen
UK / 86 minutes / bw / Gainsborough, Gaumont, BPC Dir: Anthony Asquith Pr: Edward Black Scr: A. de Grunwald, J.O.C. Orton Story: Cottage to Let (1939 play) by Geoffrey Kerr Cine: Jack Cox Cast: Leslie Banks, Jeanne De Casalis, Carla Lehman (i.e., Carla Lehmann), Alastair Sim, John Mills, George Cole, Michael Wilding, Frank Cellier, Muriel Aked, Wally Patch, Muriel George, Hay Petrie, Catherine Lacey.
A somewhat lightweight spy mystery based on a play written before the full horrors were known of what was going on in Europe; it was first staged at Wyndham’s Theatre in London in 1939–40, when opinion on the war’s wisdom was still (just) up for debate in the UK. Another sign of the piece’s date is that, in the screen adaptation, a central character even pronounces the term “Nazis” incorrectly, as “Nazzies” rather than “Natzies.”
Somewhere in Tayside, Scotland, Mrs. Barrington (De Casalis) of the big house is letting out one of the estate’s cottages; the only trouble is that, in typically scatterbrained fashion, she’s agreed to rent it to more than one tenant. Miss Fernery (Aked) is expecting to billet some evacuee children from London in it; Dr. Truscott (Petrie) is expecting to use it as an emergency hospital; while the eccentric Charles Dimble (Sim) is expecting to make it a temporary home. The latter tries to remind his new landlady of this in an exchange that has “stage play” written all over it:
Dimble: “I’m Dimble.”
Mrs. Barrington: “Oh, are you? I’m so sorry.”
Dimble (Alastair Sim) exercises his native charms on Mrs. Barrington (Jeanne De Casalis).
She airily offers a compromise: Dimble can have a room in the cottage, Truscott can have the rest of it for his patients, and she’ll Continue reading