Paradise Express (1937)

US / 53 minutes / bw / Republic Dir: Joseph Kane Pr: Nat Levine Scr: Jack Natteford, Betty Burbridge Story: Allan Vaughan Elston, Paul Perez Cine: Jack Marta Cast: Grant Withers, Dorothy Appleby, Arthur Hoyt, Maude Eburne, Harry Davenport, Donald Kirke, Arthur Loft, Lew Kelly, Anthony Pawley, Fern Emmett, John Holland, Bob McClung, Bruce Mitchell, Guy Wilkerson, George Cleveland, Horace Murphy, Ralph McCullough.

The Moon Valley Short Line Railroad is on its last legs, despite the efforts of its curmudgeonly boss, Jed Carson (Davenport), and his feisty granddaughter Kay (Appleby). Both of them initially loathe the receiver the company’s creditors have appointed, Lawrence/Laurence (the movie gives both spellings) “Larry” Doyle (Withers):

Kay: “[He wants] more dismissals? It’s a pity someone can’t dismiss Mr. Lawrence with a well aimed sledgehammer.”

The trouble is that the Armstrong Trucking Corp., led by slimeball Armstrong (Kirke), is undercutting the railroad’s prices and even its transit times.

Dorothy Appleby as Kay and Grant Withers as Larry.

Yet Larry proves to have the railroad’s interests at heart. He soon earns Kay’s devotion and Continue reading

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My Blood Runs Cold (1965)

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As well it might!
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US / 104 minutes / bw / William Conrad Productions, Warner Bros.–First National Dir & Pr: William Conrad Scr: John Mantley Story: John Meredyth Lucas Cine: Sam Leavitt Cast: Troy Donahue, Joey Heatherton, Barry Sullivan, Nicolas Coster, Jeanette Nolan, Russell Thorson, Jean Paul King, Ben Wright, Shirley Mitchell, Howard McNear, Howard Wendell, John Holland, John McCook, Linda Meiklejohn.

Julie Merriday (Heatherton), headstrong daughter of the richest and most powerful man in the area, is speeding along the road one day with boyfriend Harry Lindsay (Coster) when she nearly kills motorcyclist Ben Gunther (Donahue). After being pulled out of the ditch, Ben recognizes her as Barbara, his long-lost love—really long-lost, because Barbara Merriday died a century ago giving birth to the child ancestral to the current Merriday brood.

Julie’s father Julian (Sullivan) is brutally possessive and controlling. At first he welcomes the idea that Continue reading

Phantom of Chinatown (1940)

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“My name is Wong. James Lee Wong.”
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US / 62 minutes / bw / Monarch Dir: Phil Rosen Pr: Paul Malvern Scr: Joseph West Story: Ralph Bettinson Based on: characters created by Hugh Wiley in 12 stories published 1934–38 in Collier’s Magazine Cine: Fred Jackman Jr Cast: Keye Luke, Lotus Long, Grant Withers, Charles Miller, Huntley Gordon, Virginia Carpenter, John H. Dilson, Paul McVey, John Holland, Dick Terry, Robert Kellard, William Castello, Lee Tung Foo.

Not long after his return from a field trip to Mongolia, Dr. John Benton (Miller)—clearly labeled “Cyrus Benton” in a newspaper that we see—is giving a lecture at San Francisco’s Southern University about his expedition and the discovery he made in the Gobi Desert of the long-lost tomb of a powerful Ming emperor. He illustrates the lecture with the movie footage taken during the trip by photographer Charlie Frasier (Dilson), the very same guy as who’s now operating the projector for the lecture. Sitting in the front row are two further members of the expedition, Benton’s daughter Louise (Carpenter) and the pilot Tommy Dean (Kellard); the two are evidently sweet on each other. Helping the archaeologist is his secretary, Win Len (Long).

Tommy (Robert Kellard) and Louise (Virginia Carpenter), so much in love.

But one member of the expedition didn’t return, Benton explains to his audience. The backup pilot, Mason (Holland), was lost during a wild dust-storm and, although the party hunted for him, in the end they had to abandon the search.

Frasier (John H. Dilson) films everything.

Suddenly Benton grabs his throat and collapses. Soon the homicide cop Captain Sam Street (Withers) and his sidekick Detective Grady (McVey) are on the scene, but it looks as if Continue reading

Hell Harbor (1930)

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An early role for the “Mexican Spitfire” in a tale of Caribbean derring-do!
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US / 83 minutes / bw / Inspiration, UA Dir & Pr: Henry King Scr: Fred DeGresac, Clark Silvernail, N. Brewster Morse Story: Out of the Night (1925) by Rida Johnson Young Cine: John Fulton, Robert M. Haas, Mack Stengler Cast: Lupe Velez, Jean Hersholt, John Holland, Gibson Gowland, Harry Allen, Al St. John, Paul Burns, George Bookasta, Ulysses Williams, Ruth Hall, Rondo Hatton, Sextetto Habanero.

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Velez’s second talkie—after Tiger Rose (1929) dir George Fitzmaurice—is a comedy- and music-laced melodrama that, despite suffering some problems of pacing, is really quite entertaining, primarily because of Velez’s effervescent presence.

Hell Harbor, a colony somewhere in the Caribbean, is largely populated by the descendants of pirates. One of these is Anita Morgan (Velez), daughter of Henry Morgan (Gowland), the several-times-great grandson of the famous pirate likewise called Henry Morgan. Anita’s dream is to escape from her often abusive father and the cesspit of Hell Harbor to live in Havana, Cuba, which she regards as a sort of heaven on earth:

Anita: “I want to see Havana now! Havana, with its music, its riding carriages . . . and wash all over every day!”

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Peg Leg (Harry Allen) strikes a bargain with Horngold for the pearls.

Her father is not just a brute but a murderer. In the movie’s opening scenes we see an English drifter called Peg Leg (Allen) sell a Continue reading