The Naked Edge (1961)

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A tense little psychological thriller — and it’s Gary Cooper’s last movie!
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UK, US / 97 minutes / bw / Glass–Seltzer, Pennebaker–Baroda, UA Dir: Michael Anderson Pr: Walter Seltzer, George Glass Scr: Joseph Stefano Story: First Train to Babylon (1955) by Max Ehrlich Cine: Erwin Hillier Cast: Gary Cooper, Deborah Kerr, Eric Portman, Diane Cilento, Hermione Gingold, Peter Cushing, Michael Wilding, Ronald Howard, Ray McAnally, Sandor Elès, Wilfrid Lawson, Helen Cherry, Joyce Carey, Diane Clare, Frederick Leister, Martin Boddey, Peter Wayn.

Six years ago, Jason Roote (Boddey), owner and CEO of the Jason Roote Air Freight Corporation, was stabbed to death one night in his office. Only two other employees were on the premises that evening, doing overtime: sales manager George “Cliffe” Radcliffe (Cooper) and lowlier staffer Donald Heath (McAnally). Cliffe heard Roote’s death cry and saw the murderer running away; he and a cop (uncredited) gave chase and Continue reading

I Start Counting (1969)

UK / 105 minutes / color / Triumvirate, UA Dir & Pr: David Greene Scr: Richard Harris Story: I Start Counting (1966) by Audrey Erskine Lindop Cine: Alex Thomson Cast: Jenny Agutter, Bryan Marshall, Clare Sutcliffe, Simon Ward, Gregory Phillips, Madge Ryan, Billy Russell, Lana Morris, Fay Compton, Charles Lloyd Pack, Michael Feast, Lewis Fiander, Lally Bowers, Gordon Richardson.

I Start Counting - 0 opener

In an unnamed suburb of an unnamed large city—it feels much like a London suburb—orphan Wynne Kinch (Agutter), who declares herself to be not so much 14 as nearly 15, lives in a tower block with her adoptive family. She’s suffering a severe adolescent crush—which of course she believes to be the love of her life—on her much older adoptive brother George (Marshall), reckoning that the difference in their ages (he’s 32) won’t matter so much in a few years’ time. He’s one half of the small contracting business Kinch & Wells, Joiners & Decorators, although we’re never introduced to Wells.

One day, as he prepares to take her and her friend Corinne Eldridge (Sutcliffe) to school in the company van, George picks up a package and mentions that he’s just “going to drop this in with Mr. Chapman” . . . except that Wynne spots him instead stuffing it into someone’s dustbin. Earlier that morning, as she spied on him while he was shaving, she noticed scratches on his back. The conclusion seems to her obvious: he must be the serial killer who’s terrorizing the neighborhood, murdering young girls and dumping them on Dalstead Common. That evening Wynne digs out the package from the bin and discovers it’s a sweater she knitted for George, now with a big bloodstain on it.

I Start Counting - 1 The scratches on George's back

The scratches on George’s back.

Wynne’s passion for George is such that she really doesn’t care if he’s a serial killer; somehow their mutual love will solve that little problem, and she’ll be able to shield him from those who would wish to hunt him down and harm him. Rather than report her discovery of the sweater to the authorities—or even to her mum (Ryan) and granddad (Russell)—she smuggles it out to the family’s previous home, now abandoned and scheduled for demolition, and does her best to incinerate it in the furnace there. She gets the job just half done when she realizes the smoke pouring out of the cottage chimney could act as a beacon for the inquisitive . . .

I Start Counting - 2 Corinne & Wynne watch events through the back window of bus

Corinne (Clare Sutcliffe) and Wynne (Jenny Agutter) watch events at a crime scene through the back window of their bus.

That old family home is on the edge of Dalstead Common, and for those who don’t drive—like schoolgirls—can be reached from the nearest bus stop only by crossing the common. Nonetheless Wynne and Corinne come here from time to time to Continue reading

I Thank a Fool (1962)

UK / 100 minutes / color / Eaton, MGM Dir: Robert Stevens Pr: Anatole de Grunwald Scr: Karl Tunberg Story: I Thank a Fool (1958) by Audrey Erskine Lindop Cine: Harry Waxman Cast: Susan Hayward, Peter Finch, Diane Cilento, Cyril Cusack, Kieron Moore, Athene Seyler, J.G. Devlin, Brenda de Banzie.

In Liverpool, largely thanks to the efforts of obnoxious prosecutor Stephen Dane (Finch), Canadian Dr. Christine Allison (Hayward) is found guilty of manslaughter for the mercy killing, by drug overdose, of her patient and adulterous lover, Benson (uncredited). Two years later she’s released from prison and, stripped of her medical credentials, does her best to find a job—any job. Even under her phony new name, Christine Garden, she can find no takers.

She’s in despair when suddenly she receives a mysterious phonecall offering her a job as a nurse. Obediently, she goes to the designated rendezvous where she’s met by dotty Miss Chandler (Seyler)—Aunt Heather—who erratically drives her out of town to meet her new employer . . . who proves to be Stephen Dane, the man who got her sent down.

Christine’s patient is Stephen’s wife Liane (Cilento), who’s been suffering mental difficulties—schizophrenia, Christine eventually concludes—ever since she was involved in a terrible car crash, in which her father died, near her Irish hometown of Caragh. Liane seems to be getting iller and iller, whatever Christine tries to do, and it’s evident that most of the people involved—Christine herself excepted but including the Danes’s studly Irish stableboy Roscoe (Moore), who’s possibly Liane’s lover—are often lying through their teeth about what’s going on.

I Thank a Fool - Liane hypnotized by a spinning sawbladeLiane (Diane Cilento) is hypnotized at sight of a spinning saw-blade.

For most of the movie we’re convinced that Continue reading