US / 66 minutes / bw / Universal Dir: Kurt Neumann Pr: Carl Laemmle Jr. Scr: William Hurlbut Story: Geheimnis des Blauen Zimmers (1932 screenplay) by Erich Philippi Cine: Charles Stumar Cast: Lionel Atwill, Gloria Stuart, Paul Lukas, Edward Arnold, Onslow Stevens, William Janney, Robert Barrat, Muriel Kirkland, Russell Hopton, Elizabeth Patterson, Anders Van Haden, James Durkin.
The first of three Hollywood remakes of a German movie, Geheimnis des Blauen Zimmers (1932), its two successors being The Missing Guest (1938) and Murder in the Blue Room (1944), this is introduced by the haunting sounds of Tchaikovsky’s main theme from Swan Lake.
Gloria Stuart as Irene.
In a stately pile somewhere, Irene von Helldorf (Stuart) is sitting up late to celebrate the first few hours of her 21st birthday with father Robert (Atwill) and the three men who seek her hand. Conversation turns to the mansion’s quondam guest room, the Blue Room, no longer used since, twenty years ago, three people died in it in (a) quick succession and (b) inexplicable circumstances, the door being locked from the inside.
Lionel Atwill as paterfamilias Robert.
To impress Irene with his manly courage and belie his extraordinary drippiness Continue reading
US / 66 minutes / bw / Paramount Dir: Alexander Hall, George Somnes Pr: B.P. Schulberg Scr: P.J. Wolfson, Allen Rivkin, Manuel Seff Story: Jules Furthman Cine: Karl Struss Cast: James Dunn, Gloria Stuart, Shirley Grey, David Manners, William Harrigan, Vince Barnett, Johnny Hines, Jack La Rue, Kitty Kelly, Edward Gargan, James Burke, Clarence Wilson, Gertrude Short, Effie Ellsler, Hal Price.
Dr. Daniel “Dan” French (Dunn) spends his leisure time cutting a swath through the nurses of the police hospital of which he is head. His current paramour, Nurse Irene Blaine (Grey), is less than amused when he falls and falls hard for a young woman brought in delirious and on the point of death after a savage beating, Mary Dolan (Stuart).
Dan throws all his medical skills and many sleepless hours into the effort to keep Mary alive and effect a full recovery. Naturally he succeeds, and the two fall in love—much to Irene’s chagrin. She responds by reporting to the Superintendent of Hospitals, Walter C. Horton (Wilson), that Mary is well enough to leave and is being kept longer in the hospital solely because she’s Dan’s fancy lady . . .
. . . which is of course largely true. What Irene doesn’t know is that Dan’s other motive is to protect Mary from the hoodlum who Continue reading