US / 83 minutes / bw / Columbia Dir: Henry Levin Pr: Helen Deutsch, Virginia Van Upp Scr: Louella MacFarlane, Allen Rivkin, Devery Freeman Story: Lenore Coffee Cine: Joseph Walker Cast: Rosalind Russell, Melvyn Douglas, Sid Caesar, Betsy Blair, Nina Foch, Charles Cane, Harry Von Zell, Bruce Harper (i.e., Coulter Irwin), Arthur Space, Richard Benedict, Frank Orth, Victoria Horne, Hugh Beaumont, Doreen McCann.
Although sometimes listed as a film noir, The Guilt of Janet Ames is really a philosophical piece ruminating on guilt, morality, the selfishness of grief, redemption; there are some noirish tropes if you care to look for them, but then you could also find parallels with It’s a Wonderful Life (1946) dir Frank Capra if you were desperate enough. (You might, for example, point to the fact that both are Christmas movies, even though they have a completely different feel.)
Rosalind Russell as Janet Ames
But before making any such claims it’s worth noting that The Guilt of Janet Ames is upfront and center concerning the inspiration it owes to George du Maurier’s 1891 novel Peter Ibbetson and in particular the Continue reading
Here’s a very shy contribution to this splendid endeavor:
US / 71 minutes / bw / PRC Dir: Basil Wrangell Pr: Marvin D. Stahl Scr: George Bricker Story: Monty F. Collins, Julian I. Peyser Cine: Jack Greenhalgh Cast: Sheila Ryan, Edward Norris, Chill Wills, Kenneth Farrell, James Seay, Frank Orth, Chili Williams, Al LaRue, Charles Mitchell, Phyllis Planchard, Ann Staunton, Arthur Space, Keefe Brasselle, Edward Earle, Terry Moore, Minerva Urecal, Mack Williams.
Vic Morton (Farrell) is the latest singing sensation to come to Hollywood, having signed a contract with Majestic Studios. In a very interesting opening sequence to this movie, we’re shown, after a brief account of Hollywood, the trailer for Vic’s first movie, also called Heartaches, as supposedly projected inside Grauman’s Chinese Theatre. He sings the popular 1931 title song (music by Al Hoffman, lyrics by John Klenner) while languidly romancing an unnamed blonde (Moore).
Cut to a while later. Heartaches has been a big success and Majestic is pushing ahead with Vic’s next vehicle, Broadway Ballad. We discover almost immediately a carefully guarded secret: Vic can’t sing. That mellifluous tenor voice emanates from his regular accompanist, songwriter and old band friend, the homely-faced “Bogey” Mann (Wills), with the handsome Vic merely lip-synching. The pair are rehearsing in the company of publicist Toni Wentworth (Ryan) when the secret is almost blown wide open: into the Continue reading