snapshot: Berlin Correspondent (1942)

US / 70 minutes / bw / TCF Dir: Eugene Forde Pr: Bryan Foy Scr: Steve Fisher, Jack Andrews Cine: Virgil Miller Cast: Virginia Gilmore, Dana Andrews, Mona Maris, Martin Kosleck, Sig Ruman, Kurt Katch, Erwin Kalser, Torben Meyer, William Edmunds, Hans Schumm, Leonard Mudie, Hans von Morhart, Curt Furberg, Henry Rowland, Christian Rub, Walter Sande.

Dana Andrews as Bill.

November 1941, and US radio journalist Bill Roberts (Andrews) broadcasts regular reports home from Berlin. Despite being heavily scrutinized by the Nazi censors, these contain coded messages telling the truth about how (badly) things are faring in Germany, and revealing Nazi plans. At the New York Chronicle Bill’s colleague Red (Sande) interprets the codes and writes the stories, to the perplexity of the Gestapo.

Erwin Kalser as Rudolf Hauen.

Bill has been getting his information at a philatelical shop from elderly Rudolf Hauen (Kalser), who has picked it up over the supper table from Continue reading

o/t: oh, it’s New Year, is it?

Many thanks to everyone whose visits and comments through 2014 have made it seem worth my while continuing with Noirish. The year has seen a steady growth in the site’s traffic; golly, but I felt as if I was channeling Mitt Romney when I typed that.

It’s not a feeling I much wish to revisit.

Whateffer, as they say in my homeland, I hope everyone who visits this site regularly, occasionally or even (and here I’m stretching what little human sympathies I have) <i>never</i> has a great 2015. It’d be good, too, if the world as a whole had a great 2015, but that would involve US politics somehow ridding itself of its corruption and beginning to act in the interests of the American people, and of the planet.

Here are the movies about which I posted essays on <i>Noirish</i> during 2014. I’d hoped that each title would link to the relevant page, but the gods of WordPress decided that This Was Not To Be. The list includes the movie about which I’ll be posting tomorrow — a spiffy Japanese neonoir that you owe it to yourself to see.

January
Secret, The (1997 TVM)
Shadow, The (1933)
Tiger Bay (1934)
Wenn es Nacht Wird auf der Reeperbahn (1967)
Woman’s Secret, A (1949)
East, The (2013)
After Alice (1999)
Amateur Crook (1937)
American Gangster (2007)
Black Hand, The: True Story of a Recent Occurrence in the Italian Quarter of New York (1906)
Dead Man Down (2013)
Fat Man, The (1951)
Fear is the Key (1972)
Flirting with Fate (1916)

February
Girl in Gold Boots (1968)
Hotel Berlin (1945)
Hotel Noir (2012)
Letter from an Unknown Woman (1948)
Love the Hard Way (2001/2003)
Morton Thompson’s Not as a Stranger (1955)
Night Train (2009 DTV)
Public Eye, The (1992)
Secret Six, The (1931)
Stark Fear (1962)
Teckman Mystery, The (1954)
Call, The (2013)

March
In Cold Blood (1967)
In Cold Blood (1996 TVM)
Capote (2005)
Infamous (2006)
Case of the Missing Heiress, The (1949)
Circus of Fear (1966)
Circus Queen Murder, The (1933)
Dark Light, The (1951)
Double Identity (1990 TVM)
Floater, The (1961 TVM)
Ellery Queen and the Murder Ring (1941)
Evidence of the Film, The (1913)
Fat Man, The: The Thirty-Two Friends of Gina Lardelli (1959 TVM)

April
Felicia’s Journey (1999)
Foreign Correspondent (1940)
Gangster Squad (2013)
Pris au Piège (1957 TVM)
Rikollinen Nainen (1952)
Stand Up Guys (2012)
Tiger Bay (1959)
White Trap, The (1959)
Drag-Net, The (1936)
Four Just Men, The (1939)

May
Anna-Liisa (1922)
Arsenal Stadium Mystery, The (1939)
Banker, The (1989)
Blood (2012)
Candlelight in Algeria (1944)
Convicted (1931)
Douce Violence (1962)
Engagement (2012)

June
Portrait of Jennie (1948)
Frosch mit der Maske, Der (1959)
Girl on the Run (1953)
Moderato Cantabile (1960)
Murder is News (1937)
Three Steps in the Dark (1953)
On Dangerous Ground (1951)
To Kill a Dead Man (1994)
Violent Moment (1959)
You Have to Run Fast (1961)

July
Young Captives, The (1959)
Spy in Black, The (1939)
Out of the Past (1947)
Awful Truth, The (1937)
Public Ransom, A (2014)
Alias Mary Smith (1932)
Baryshnya i Khuligan (1918)
Blind Alibi (1938)
Cage of Evil (1960)
Carrefour (1938)
Counselor, The (2013)

August
Emil und die Detektive (1931)
Bushwhackers, The (1952)
Game (2013)
Floating Dutchman, The (1952)
Geheimnis der Schwarzen Witwe, Das (1963)
Hell’s House (1932)
Something to Live For (1952)
Motel Blue (1997 DTV)
In a Lonely Place (1950)
Voice of Merrill, The (1952)
Ragazza del Lago, La (2007)

September
Ringer, The (1952)
Scarlet Web, The (1954)
Stolen (2009)
Stolen (2012)
Dødes Tjern, De (1958)
Suspect (1960)
Alibi, L’ (1937)
Anni (2011 DTV)

October
Black Widow (1954)
Boîte Noire, La (2005)
Marked Man (1996)
Confessions of a Psycho Cat (1968)
Crime Nobody Saw, The (1937)
Death at Broadcasting House (1934)
Down Three Dark Streets (1954)
Femme Fatale (2013)
Who Killed Aunt Maggie? (1940)
Girl who Dared, The (1944)

November
Hideout, The (1956)
Intruder, The (1933)
Labyrinth der Leidenschaften (1959)
Lizzie (1957)
Maison sous les Arbres, La (1971)
Manche et la Belle, Une (1957)
Midnight Episode (1950)
Missing Million, The (1942)
Night Boat to Dublin (1946)

December
Musta Jää (2007)
Phone Call from a Stranger (1952)
Pokrajina Št.2 (2008)
Premier Cercle, Le (2009)
Rossiter Case, The (1951)
Send for Paul Temple (1946)
Silenzio dei Prosciutti, Il (1994)
Sheng Dan Mei Gui (2013)
Special Investigator (1936)
Tantei Wa Bar ni Iru (2011)

Obviously most of these are borderline noir at best, and quite a few aren’t noir at all (but have some vague form of associational interest, even if only in my fevered brain); there’s a reason why this site has the title it does. I think I probably have the old/new balance about right, although this may be affected in the coming year as I attempt to cover more indies. Another factor is that I’d like to cover more of the noirish Bollywood movies; more non-anglophone movies in general.

I think what I need is two of me.

Foreign Correspondent (1940)

US / 120 minutes / bw / Wanger, UA Dir: Alfred Hitchcock Pr: Walter Wanger Scr: Charles Bennett, Joan Harrison, James Hilton, Robert Benchley (plus several others uncredited) Story: Personal History (1935 memoir) by Vincent Sheean Cine: Rudolph Maté Special production effects: William Cameron Menzies Cast: Joel McCrea, Laraine Day, Herbert Marshall, George Sanders, Albert Basserman (i.e., Albert Bassermann), Robert Benchley, Edmund Gwenn, Eduardo Ciannelli, Harry Davenport, Martin Kosleck, Frances Carson, Edward Conrad, Ian Wolfe, Samuel Adams, Charles Wagenheim.

On the eve of war in Europe, Powers (Davenport), editor of the New York Morning Globe, is weary of the lackluster reports emanating from London and his correspondent there, Stebbins (Benchley). He demands that one of the paper’s crime reporters, Johnny Jones (McCrea), be sent to Europe to dig up dirt. First, though, he gives Johnny a posher moniker—”Huntley Haverstock”—and introduces him to one of the people he should interview once he’s in London, Stephen Fisher (Marshall), leader of the Universal Peace Party, which is seeking even at this late stage to avert the outbreak of hostilities.

Once in London, Johnny meets Stebbins and, on his way to a peace meeting at the Savoy Hotel that Powers has told him to cover, opportunistically shares a cab with Dutch diplomat Van Meer (Basserman), a key figure in the peace movement who’s scheduled to address the meeting. They arrive together but, when it comes to Van Meer’s turn to speak, Fisher, as the meeting’s chairman, announces that Van Meer has had to cancel his appearance because of urgent duties elsewhere. Though puzzled, Johnny soon forgets the matter because the substitute speaker is Fisher’s daughter Carol (Day), whom Johnny met in the foyer beforehand and for whom he has fallen hard.

His next assignment is to Amsterdam. As he waits outside the hall, he sees Van Meer approaching; however, the man is assassinated by a supposed press photographer (Wagenheim), who flees. Johnny gives chase, commandeering a car in which it proves that Carol’s a passenger, the driver being her friend, another journalist, Scott ffolliott (Sanders). They follow the getaway car out into the countryside, where it seems to disappear. Convinced the assassin and his accomplice have hidden in a nearby windmill, Johnny sends Carol and Scott for the cops, himself creeping into the structure and discovering that the plotters have secreted the heavily drugged Van Meer there; the man whom Johnny saw shot down was an impersonator (Adams). Johnny slips away from the windmill but, by the time he brings help, the bad guys have disappeared, taking Van Meer with them and leaving only a fake tramp (Kosleck), who claims the mill has been deserted all day.

Foreign Correspondent - 1 Johnny creeps into the windmill

Johnny (Joel McCrea) creeps into the windmill . . .

Foreign Correspondent - 2 He finds the drugged Van Meer there

. . . and finds the drugged Van Meer (Albert Bassermann) there.

Foreign Correspondent - 3 Johnny clings to the outside of the millJohnny (Joel McCrea) clings to the outside of the mill as he evades detection by the bad hats.

Back in Amsterdam, two men claiming to be cops call on Johnny in his room at the Hotel Europe. Smelling a rat, he climbs along Continue reading