US / 70 minutes / bw / TCF Dir: Eugene Forde Pr: Bryan Foy Scr: Steve Fisher, Jack Andrews Cine: Virgil Miller Cast: Virginia Gilmore, Dana Andrews, Mona Maris, Martin Kosleck, Sig Ruman, Kurt Katch, Erwin Kalser, Torben Meyer, William Edmunds, Hans Schumm, Leonard Mudie, Hans von Morhart, Curt Furberg, Henry Rowland, Christian Rub, Walter Sande.
Dana Andrews as Bill.
November 1941, and US radio journalist Bill Roberts (Andrews) broadcasts regular reports home from Berlin. Despite being heavily scrutinized by the Nazi censors, these contain coded messages telling the truth about how (badly) things are faring in Germany, and revealing Nazi plans. At the New York Chronicle Bill’s colleague Red (Sande) interprets the codes and writes the stories, to the perplexity of the Gestapo.
Erwin Kalser as Rudolf Hauen.
Bill has been getting his information at a philatelical shop from elderly Rudolf Hauen (Kalser), who has picked it up over the supper table from Continue reading
On the run for a murder he didn’t commit!
vt Dangerous Holiday
US / 72 minutes / bw / Paramount Dir: Robert Siodmak Pr: Sol C. Siegel Scr: Jay Dratler, F. Hugh Herbert Story: Ben Roberts, Sidney Sheldon Cine: John Seitz Cast: Richard Carlson, Nancy Kelly, Albert Basserman, Miles Mander, Walter Kingsford, Martin Kosleck, Marion Martin, Oscar O’Shea, Mary Gordon, Edward Gargan, Clem Bevans, Arthur Loft, Michael Morris, Cy Kendall, Nestor Paiva, John Butler.
An escapade conceived very much in the style of Alfred Hitchcock’s The 39 Steps (1935), with which movie it shares a number of plot points. Again we have a hero who has to go on the run because suspected of murdering a man who has sought his aid, and again our hero ropes in an unwilling woman as accomplice (with romance as inevitable, further down the line, as in a Hallmark Christmas movie), and again there’s an espionage conspiracy to be foiled.
To say that Siodmak, whose second Hollywood movie this was, was no Hitchcock is the obvious trite comment, and a foolish one—as foolish as saying, equally truthfully, that Hitchcock was no Siodmak. The two directors each had his own strengths, and this one plays to Siodmak’s. The comedy and tension are very well integrated—that I laughed aloud several times didn’t mean I wasn’t on the edge of my seat at others—but what stood out most for me, in terms of the direction, was Continue reading