US / 68 minutes / bw / Paramount Dir: Alexander Hall Pr: Bayard Veiller Scr: Adela Rogers St. Johns Story: “Kidnapt” (1933 Hearst’s International–Cosmopolitan) by Rupert Hughes Cine: Alfred Gilks Cast: Dorothea Wieck, Alice Brady, Baby Le Roy, William Frawley, George Barbier, Alan Hale, Jack La Rue, Dorothy Burgess, Florence Roberts, Marcelle Corday, Irving Bacon, “Spanky” McFarland, Carmencita Johnson, Cullen Johnson
A movie supposedly based loosely on the real-life 1932 case of the Lindbergh kidnapping, although I can find no firm evidence to support this claim. Aside from the obvious—rich baby is kidnapped—the only real resemblance in the movie to the real case occurs in an odd little sidebar that could almost have been tacked on afterward in order to cash in on the similarity of theme: As the cops search the house and grounds for any trace of missing baby Michael they find a rig leading up to the child’s bedroom window, as was the case in the Lindbergh abduction. Otherwise, though, I think this is just an instance of a movie’s publicists being rather yuckily opportunistic.
Dorothea Wieck as Madeline Fane
In the movie, Madeline Fane (Wieck) is a famous movie star, tragically widowed a year ago, who’s bringing up her 18-month-old son Michael (Le Roy) with the help of Continue reading
US / 61 minutes / bw / Tower Dir: Christy Cabanne Pr: Sig Neufeld Scr: Barry Barringer, F. Hugh Herbert Story: Sam Mintz Cine: Harry Forbes Cast: Marian Marsh, Kenneth Thomson, Joan Marsh, Bert Roach, Lita Chevret, Allan Vincent, Richard Tucker, Arthur Hoyt, Florence Roberts, Charlotte Merriam, Bryant Washburn Jr.
Terry Cummings (Marian Marsh), working at the cigar counter in the Cortez Hotel lobby, has been living in the Big City—New York, in this instance—for long enough to know that men, young and old, rich and poor, want Just One Thing. She’s tried to inculcate the same wariness in her kid sister Betty (Joan Marsh), who’s recently arrived from the country to live with her, but to no avail: Betty has fallen hook, line and proverbial for garage mechanic Roy Andrews (Washburn).
Terry’s right about most of the men she meets: as soon as they set eyes on her they develop extra hands. She uses them for the gifts they give her—groceries, nights out—then fobs them off easily when they try to go further. She’s invented a sick old grandmother with whom she supposedly lives as a means of quenching the passions of those who suggest going back to her place.
Alan Preston (Kenneth Thomson) sees the two Cummings sisters, Terry (Marian Marsh) and Betty (Joan Marsh), side by side for the first time.
One night Terry arrives home with playboy Alan Preston (Thomson) and they run into Betty. Preston positively drools over Betty, who has the aura of being an order of magnitude more virginal than Continue reading