Affairs of a Gentleman (1934)

US / 65 minutes / bw / Universal Dir: Edwin L. Marin Pr: Carl Laemmle Jr Scr: Cyril Hume, Peter Ruric, Milton Krims Story: Women (1928 play; vt The Women in His Life) by Edith & Edward Ellis Cine: John J. Mescall Cast: Paul Lukas, Leila Hyams, Patricia Ellis, Phillip Reed, Dorothy Burgess, Onslow Stevens, Murray Kinnell, Lilian Bond, Joyce Compton, Sara Haden, Dorothy Libaire, Richard Carle, Charles Wilson, Wilfred Hari, Gregory Gaye, Marcia Remy

An interesting Pre-Code B-feature that’s often listed as a comedy mystery even though it isn’t: it has a few humorous moments, mainly thanks to snappy dialogue inherited from its stage original, but the overwhelming mood is one of impending tragedy.

Victor Gresham (Lukas) is a bestselling novelist and an obsessive roue. It’s not hard to work out where he gets the inspiration for each new smutty novel, as his publisher, Paul Q. Bindar (Carle), explains to the sales reps:

“You must continue to play on Gresham’s personal life to the press. Victor Gresham, one of his own heroes. Every book represents a woman in his past, and every woman in his present means a book in his future.”

(With over eighty books to my own credit, Continue reading

I’d Give My Life (1936)

vt The Noose
US / 80 minutes / bw / Astor, Paramount Dir: Edwin L. Marin Pr: Richard A. Rowland Scr: George O’Neil, Ben Ryan Story: The Noose (1926 play) by H.H. Van Loan and Willard Mack Cine: Ira Morgan Cast: Sir Guy Standing, Frances Drake, Tom Brown, Janet Beecher, Robert Gleckler, Helen Lowell, Paul Hurst, Charles C. Wilson, Charles Richman, Tom Jackson, Charles Judels, Robert Elliott.

I'd Give My Life - 0 opener

This movie is a remake of the silent The Noose (1928) dir John Francis Dillon, with Richard Barthelmess (who received an Oscar nomination for his role), Thelma Todd, Montagu Love and Robert E. O’Connor. Both movies were based on the play The Noose (1926), which was of especial significance in that its Broadway director and co-author Willard Mack took a gamble on casting a young chorus girl called Ruby Stevens in the role of romantic lead. Ruby Stevens soon adopted a new professional name: Barbara Stanwyck.

Orphan Nickie Elkins (Brown) and chanteuse Mary Reyburn (Drake), who both work at the niterie Club Gordon, are very much in love; Nickie hopes to be an airline pilot one day and thereby able to keep Mary in the manner she deserves. A chance encounter at an airport introduces him to Stella Bancroft (Beecher), the wife of the state governor, and the two immediately take a liking to each other—he regarding her as a “swell lady” while clearly sparking off the maternal instinct in her.

I'd Give My Life - 1 Nickie & Mary

Nickie (Tom Brown) and Mary (Frances Drake), very much in love.

Meanwhile, recently elected Governor John Bancroft (Standing)—Stella’s husband—has been telling the press that all his pre-election talk of cleaning up the state and ousting the racketeers has not been just so much hot air: he really intends to come through on his promises. The reporters, as they leave, are disconcerted to recognize Buck Gordon (Gleckler), the dirtiest crook in the state, waiting to meet with the Governor. At that meeting, Continue reading

Christmas Eve (1947)

vt Sinner’s Holiday

US / 93 minutes / bw / Miracle, UA Dir: Edwin L. Marin Pr: Benedict Bogeaus Scr: Laurence Stallings Story: Laurence Stallings, Richard H. Landau Cine: Gordon Avil Cast: George Raft, George Brent, Randolph Scott, Joan Blondell, Virginia Field, Dolores Moran, Ann Harding, Reginald Denny, Dennis Hoey, Clarence Kolb, Joe Sawyer, John Litel, Konstantin Shayne, Douglass Dumbrille, Carl Harbord, Molly Lamont, Walter Sande, Claire Whitney.

Xmas Eve - 0 Ann Harding excels as Aunt MatildaAnn Harding excels as Aunt Matilda.

Eccentric elderly NYC spinster Matilda Reed (Harding) has permitted some of her estate to be managed by her nephew Philip Hastings (Denny) but has kept control of the main part. Now, horrified by the amounts she’s been giving to charities, Philip has enlisted the aid of Judge Alston (Kolb) in trying to get her declared unfit to handle her own affairs, so that he might take over the entirety of the estate. And indeed, visiting the old woman with psychiatrist Doremus (Harbord) as ballast, the judge has to admit that “Aunt Matilda”—as she’s universally known—is certainly quite dotty: she attracts pigeons into her dining room to feed them, and uses a sophisticated electric train set to serve meals at the dining table.

Aunt Matilda naturally resents the encroachment, and declares that she’d rather her estate were handled by any one of her three adopted sons—all of whom flew the roost to make their own ways in the world but told her that, if ever she needed them, they’d be there for her. Philip, who knows more about the sons than Aunt Matilda thinks, scoffs at the idea. But the judge agrees that, if she can produce all three sons at the house on Christmas Eve, he’ll believe her claims of mental competency.

In turn we see three episodes about the sons, interspersed with scenes of Aunt Matilda, her redoubtable butler Williams (Hoey), and the gumshoe she hires to assist her search, Gimlet (Sawyer).

Xmas Eve - 2 The intriguing shadow of Harriet (Molly Lamont).

The first son up is playboy Michael Brooke (Brent), who’s seeking to solve the problem of his mounting debts by marrying heiress Harriet Rhodes (Lamont). The problem is that Harriet is one of the causes of those mounting debts: he’s been passing off rubber checks all over town to the tune of $75,000 in order to woo her with jewels and raiment. The other problem is that lovely salt-of-the-earth broad Ann Nelson (Blondell) loves him and wants him, and if truth be told he wants her too. Philip finds Continue reading