snapshot: The Net (1953)

vt Project M7
UK / 82 minutes / bw / Two Cities, Rank Dir: Anthony Asquith Pr: Antony Darnborough Scr: William Fairchild Story: The Net (1952) by John Pudney Cine: Desmond Dickinson Cast: Phyllis Calvert, James Donald, Robert Beatty, Herbert Lom, Muriel Pavlow, Noel Willman, Walter Fitzgerald, Patric Doonan, Maurice Denham, Marjorie Fielding, Cavan Watson, Herbert Lomas, Cyril Chamberlain.

Behind the net—the wire fencing—of secret UK research establishment Port Amberley, the team led by Michael Heathley (Donald) has finished developing the experimental supersonic nuclear-augmented jet aircraft code-named M7. All that remains is to test-fly the prototype, something Michael wants to do immediately, in conjunction with pilot Brian Jackson (Doonan). But the site’s boss, Professor Carrington (Denham) is cautious, and insists it’s too early to risk human lives, that there should be remote-controlled test flights first.

 

Maurice Denham as Carrington.

But then Carrington dies as a result of a mysterious accident and Michael decides, over the objections of several of his colleagues, to Continue reading

Green Man, The (1956)

UK / 77 minutes / bw / Grenadier, British Lion Dir: Robert Day Pr & Scr: Frank Launder, Sidney Gilliat Story: Meet A Body (1954 play) by Frank Launder, Sidney Gilliat Cine: Gerald Gibbs Cast: Alastair Sim, George Cole, Terry-Thomas, Jill Adams, Raymond Huntley, Colin Gordon, Avril Angers, John Chandos, Eileen Moore, Arthur Brough, Dora Bryan, Richard Wattis, Alexander Gauge, Cyril Chamberlain, Vivien Wood, Marie Burke, Lucy Griffiths, Michael Ripper, Doris Yorke, Terence Alexander.

By no stretch of the imagination is this a film noir; rather, it belongs to the same stream of UK crime comedies whose best-known representatives include Kind Hearts and Coronets (1949), The Lavender Hill Mob (1951), The LADYKILLERS (1955) and School for Scoundrels (1960). It has, too, many of the characteristics of a Whitehall farce, with the same fine timing, mockery of pretensions, and expert manipulation of misunderstandings, especially of an amorous nature.

The glorious piano trio make amorous eyes at the gentlemanly knave Hawkins.

Outwardly respectable Hawkins (Sim)—although he uses other aliases—discovered the art of murder-by-bomb while he was still in preparatory school at Embrook House, whose loathed headmaster Continue reading