US / 85 minutes / bw / RKO Dir: Nicholas Ray Pr & Scr: Herman J. Mankiewicz Story: Verpfändetes Leben (1946; vt Mortgage on Life) by Vicki Baum Cine: George Diskant Cast: Maureen O’Hara, Melvyn Douglas, Gloria Grahame, Bill Williams, Victor Jory, Mary Philips, Jay C. Flippen, Robert Warwick, Curt Conway, Ann Shoemaker, Virginia Farmer, Ellen Corby, Emory Parnell.
One of Ray’s earliest movies, after THEY LIVE BY NIGHT (1948) and KNOCK ON ANY DOOR (1949), this is often listed as a film noir. At best it’s a borderline case; really it’s more like one of the interminable strings of quickie mysteries produced as fillers by the Poverty Row studios such as Monogram and PRC, but with significantly higher production standards, a much more polished screenplay (but see below) and, of course, a far higher-profile cast. Unfortunately, a few of the flaws of those Monogram/PRC cheapies seem evident too.
After finishing her radio broadcast one night, the popular singer Estrellita, aka Susan Caldwell (Grahame), arrives home and flies straight into a noisy argument with her mentor, Marian Washburn (O’Hara): despite all that Marian has done for her, Susan wants to abandon her career and go back to her podunk hometown of Azusa, California, where the most she ever had to cope with were the hands of married men. Susan storms up to her room with Marian following; moments later the maid Mollie (Farmer) hears the sound of a gunshot and discovers Marian standing over a seemingly dead Susan. On the arrival of the cops, Marian insists that she’s guilty of the crime.
Her old friend, accompanist Luke Jordan (Douglas), frankly disbelieves her. He hires as her defense attorney Brook Matthews (Jory), who for a time was Susan’s lover. Together they bend the ear of Assistant DA Roberts (Warwick) and the cop in charge of the case, Inspector Jim Fowler (Flippen). With Continue reading