You can’t leave your past behind!
vt Beyond Reasonable Doubt; vt Guilty Woman
US / 62 minutes / bw / John Sutherland Productions, Pathe, Eagle–Lion Dir: Sherman Scott (i.e., Sam Newfield) Pr: John Sutherland Scr: Al Martin Story: Frank Burt, Robert Libott Cine: Jack Greenhalgh Cast: Marjorie Lord, Robert Shayne, Pierre Watkin, James Seay, Ruthe Brady, Claire Whitney, Mary Gordon, Chester Clute, Dorothy Granger, Charles Williams, Emmett Vogan.
A cracker of a minor film noir that seems to have passed under just about everybody’s radar—mine included, until now.
Jenny Hadley (Lord) used to be in partnership with Floyd Durant (Shayne) in a blackmailing racket: she’d get into compromising positions with married men (like Comstock in Chicago who “fell so hard for her he wouldn’t even go to the police”) while Floyd did the rest. As you’d expect, it wasn’t just in their extortioning game that Jenny and Floyd were partnered.
Marjorie Lord as the very respectable Mrs. Crane . . . but in reality
a femme fatale.
Now, though, Jenny has left her life of crime—and Floyd—behind, and has become ultra-respectable Mrs. Gina Crane, wife of the much older lawyer Clinton Crane (Watkin), who’s the pundits’ favorite to triumph in the upcoming state gubernatorial race.
When Clinton wins his primary, Gina (as we’ll call her for convenience) reminds him of his promise to Continue reading
An old dark house and a hooded figure, oo-er!
vt The Wayne Murder Case
US / 60 minutes / bw / Chadwick, Monogram Dir: Phil Whitman Pr: I.E. Chadwick Scr: Lee Chadwick, Hampton Del Ruth Story: Arthur Hoerl Cine: Leon Shamroy Cast: Regis Toomey, June Clyde, Lucille La Verne, Jason Robards Sr, William V. Mong, Eddie Phillips, Dwight Frye, Nadine Dore, Alan Roscoe, Isabelle Vecki, Harry Myers, Eddie Chandler, Snowflake.
Vile old plutocrat Silas Wayne (Mong) is, though still mobile, nearing death. Unmarried, he brings all his nieces and nephews together in his home for a pre-mortem reading of his will. Before the great performance, however, his nephew and secretary Claude Wayne (Phillips) opens the old man’s hidden safe—all the family seems to know where this is, and how to get into it whenever they want to!—and scans the provisions of the will. One of these concerns the housekeeper, Miss Sheen (La Verne):
“To her and her children I leave the Candor diamond, in the hope it will continue to be an evil omen!”
Another relates to his married niece Sarah Boulter (Vecki), who’s to get $100,000 upon the birth of her first child—a prime example of the old man’s psychological sadism because, as we find, he well knew that Continue reading
An Edgar Wallace yarn about a man addicted to the geegees . . . and to the curves of Greta Gynt!
UK / 77 minutes / bw / Gainsborough, GFD Dir: Arthur Crabtree Pr: Antony Darnborough, Sydney Box Scr: Geoffrey Kerr Story: The Calendar (1929 play) and The Calendar (1930), both by Edgar Wallace Cine: Reg Wyer, Cyril J. Knowles Cast: Greta Gynt, John McCallum, Raymond Lovell, Sonia Holm, Leslie Dwyer, Charles Victor, Felix Aylmer, Noel Howlett, Sydney King, Barry Jones, Diana Dors, Claude Bailey, Desmond Roberts, Fred Payne.
A modest but rather jolly screen adaptation of one of Edgar Wallace’s plays, which he subsequently rewrote as a novel. In fact, this wasn’t the first adaptation; it was preceded by The Calendar (1931; vt Bachelor’s Folly) dir T. Hayes Hunter, with Herbert Marshall, Edna Best and Anne Grey, which I haven’t seen. This, the 1948 remake, while in theory a thriller has in practice many of the attributes of a bedroom farce, although it’s not really a comedy either: just a piece of entertainment.
Captain Garry Anson (McCallum), a compulsive better on the ponies, owns a string of racers; his trainer is the lovely Lady Mollie Panniford (Holm), who, as a woman, is a rarity in the male-dominated horse-training world of the time. “What you mean is that, as a girlfriend, I’m a pretty good trainer,” she observes ruefully to him at one stage. The reason for the rue is that he’s besotted with Wenda (Gynt), to whom he’s been engaged for many a yonk. Then the news comes that the will of his recently deceased aunt has brought him Continue reading
US / 11 minutes / bw / 2 Lane Dir & Pr & Scr: Mark Wright Cine: Tony Beazley Cast: Eric Berner, Dan Garland, Sarah Murphree, Angela Kerecz, Mark Wright, Tony Beazley.
Somewhere in rural America, Pastor Henning (Berner) arrives at Taylor’s Grocery to put gas in his car. Lurking in the store, browsing but not buying, is an enigmatic young man in shades. At the counter, Peggy (Murphree) tells the Pastor the whole county is looking for a dangerous lunatic, the so-called Case 223, who’s escaped from a local Army medical hospital. Of course, as soon as the Pastor leaves the store, the young man takes off his shades and reveals himself to be Case 223—real name Andy (Garland). After slitting Peggy’s throat he hitches a lift from the Pastor. When they reach a nearby diner we discover that all is not what it seems . . .
Curtains for Peggy (Sarah Murphree).
This short homage to classic film noir Continue reading