Nuit d’Or (1976)

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“My name is Marie, the arsonist, the lunatic. Meet me tonight at my mother’s. Signed, Michel”
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vt Die Nacht aus Gold; vt Golden Night
France, WG / 79 minutes / color / Eurofrance, U.G.C., Société Française de Production, F.R.3, Maran Dir: Serge Moati Pr: Philippe Dussart Scr: Françoise Verny, Serge Moati Cine: André Neau Cast: Bernard Blier, Klaus Kinski, Marie Dubois, Jean-Luc Bideau, Charles Vanel, Anny Duperey, Elisabeth Flickenschildt, Raymond Bussières, Valérie Pascale, Maurice Ronet, Catherine Arditi, Martine de Breteuil, Jean-Pierre Sentier, Fernand Guiot, Catherine Therouenne.

An offering that has a lot of the feel of a giallo—the borderline surrealism, the hyper-real color use, the sense that the movie’s reality is taking place inside a sort of bubble universe where the rules resemble but are not identical with the ones we’re accustomed to, the visual and narrative style, the grotesquery, etc.—but lacks both any gore to speak of and much by way of nudity/sex. In fact, it seems to tip a mocking hat at these giallo conventions in its early moments, when we see Commissaire Fernand Pidoux (Blier) indulging—as perforce do we—in a little trivial voyeurism, watching through binoculars as Continue reading

Carrefour (1938)

France / 70 minutes / bw / Eclair–Journal, BUP Dir: Kurt Bernhardt Pr: Eugene Tuscherer Scr: Kurt Bernhardt, André-Paul Antoine Story: H. Kafka Cine: Léonce-Henri Burel Cast: Charles Vanel, Jules Berry, Suzy Prim, Tania Fedor, Marcelle Geniat, Jean Claudio, Jenny Hecquet (i.e., Annie France), Palau, Paul Amiot, Bovério.

Carrefour - 0 opener

The movie upon which was based the popular US fringe film noir CROSSROADS (1942) dir Jack Conway, with William Powell, Hedy Lamarr, Claire Trevor and Basil Rathbone.

A man named Leduc (Palau) attempts to blackmail prominent industrialist Roger de Vetheuil (Vanel) with the claim that de Vetheuil is really a lowlife hoodlum called Jean Pelletier, who swapped identities with the heir during the Battle of the Somme. De Vetheuil cooperates with the flics to have Leduc arrested. However, one of the newspapers gets hold of the story and splashes it far and wide. Aided and abetted by his lawyer, Pierre Alexandre (Bovério), de Vetheuil sues the paper.

Yet things soon start to look grim for his case. It emerges that, because of injuries received while serving at the Somme, he suffered complete amnesia; were it not for the fact that his childhood sweetheart, now wife, Anna (Fedor), tracked him down and identified him, he would have no knowledge of his earlier life. Michèle Allain (Prim), currently a successful nightclub owner but once Continue reading