UK / 71 minutes / bw / British National, Anglo–American Dir & Scr: Vernon Sewell Pr: Louis H. Jackson Story: L’Angoisse (n.d. play) by Pierre Mills and C. Vylars Cine: Günther Krampf Cast: Derrick De Marney, Joan Greenwood, Frederick Valk, Joan Seton, Beresford Egan, Lilly Kann, Martin Miller, Valentine Dyall, Anthony Hawtrey, Bruce Winston, Kempinski, Espinosa, Margaret Clarke, Rachel Brodbrar, Sybille Binder.
The second of no fewer than four versions that Sewell made of a Grand Guignol play whose title translates as The Anguish. His other three adaptations—all of which differ quite a lot—were The Medium (1934), Ghost Ship (1952) and House of Mystery (1961). All are supernatural thrillers; this one has in addition many aspects reminiscent of historical noir. There’s a sort of quotation of the movie’s premise in Claude Chabrol’s much later POULET AU VINAIGRE (1984; vt Cop au Vin).
Paris, the Left Bank, 1893. Sculptor Charles Garrie (De Marney, who also served as Associate Director) has moved into the old studio of his erstwhile rival Anton Minetti (Egan) and, for enigmatic reasons, has insisted that everything be left exactly as it is—to the annoyance of his model and girlfriend Lucille Lindbeck (Seton). The concierge, Maria (Kann), barely dare step inside the place, for time and again she hears the pipe organ playing when there’s no one there but herself. (What’s an artist’s studio without a pipe organ, after all?) Although Charles publicly pooh-poohs Maria’s accounts, he too has had spooky experiences in the studio, such as the lamp that inexplicably flickers and dies every Continue reading