US / 60 minutes / bw / Monogram Dir: Phil Karlson Pr: Joe Kaufman Scr: George Callahan Story: Stories in Shadow Magazine based on characters created by Walter B. Gibson Cine: William Sickner Cast: Kane Richmond, Barbara Reed (i.e., Barbara Read), George Chandler, James Flavin, Pierre Watkin, Dorothea Kent, James Cardwell, Claire Carleton, Jack Overman, Jo Carroll Dennison, Frances Robinson, Almira Sessions, Nora Cecil, George Lewis, Dewey Robinson, Anthony Warde, Bert Roach, George Lessey, Douglas Wood.
The third and mercifully the last of Monogram’s series of The Shadow B-features. Surprise, surprise, but The Shadow/Lamont Cranston (Richmond) finds himself accused of murders he didn’t commit—although, as Lamont himself points out, there’s a variation in the formula: last time, in Behind the Mask (1946), Lamont had to clear The Shadow of murders he didn’t commit; this time The Shadow has to clear Lamont.
Barbara Read as Margo (left) and Dorothea Kent as Jennie
Wealthy collector James Douglas (Lessey) is murdered in his home and a valuable statuette, the Jade Lady, is stolen. The obvious culprit, so far as we viewers are concerned, is hoodlum Ox Walsh (Overman), whose enmity Continue reading
Well, baddish . . .
US / 65 minutes / bw / Universal Dir: Hobart Henley Pr: Carl Laemmle Jr Scr: Edwin Knopf, Tom Reed, Raymond L. Schrock Story: The Flirt (1913) by Booth Tarkington Cine: Karl Freund Cast: Conrad Nagel, Sidney Fox, Bette Davis, Humphrey Bogart, Charles Winninger, Emma Dunn, ZaSu Pitts, “Slim” Summerville, Bert Roach, David Durand, Helene Chadwick.
This was the third time Booth Tarkington’s novel The Flirt had been brought to the screen—the precursors had been
- The Flirt (1916) dir Phillips Smalley, with Lois Weber, Marie Walcamp, Grace Benham and Juan de la Cruz, and
- The Flirt (1922) dir Hobart Henley (who also directed The Bad Sister), with Eileen Percy, Helen Jerome Eddy and Lloyd Whitlock.
The movie has many great strengths and a few weaknesses, but really The Bad Sister is one of those pieces whose significance goes far beyond the artistic creation itself. Here we have the first screen role for Bette Davis and an early screen role for Humphrey Bogart, and it could so easily have been the last screen role for both. It was also the first screen role for poor Sidney Fox, the Star Who Never Was.
Sidney Fox as Marianne.
In Council City, Ohio, realtor John Madison (Winninger) is respected throughout the community as a man of utmost probity. With his wife (Dunn) he has raised three daughters: Amy (Chadwick), now married to plumber Sam (Summerville), vivacious, “highly strung” Marianne (Fox) and the drabber Laura (Davis). Much younger is son Hedrick (Durand). Rounding out the household is the long-suffering maid, Minnie (Pitts).
Although her parents cannot see this, Marianne is a Continue reading
US / 61 minutes / bw / Tower Dir: Christy Cabanne Pr: Sig Neufeld Scr: Barry Barringer, F. Hugh Herbert Story: Sam Mintz Cine: Harry Forbes Cast: Marian Marsh, Kenneth Thomson, Joan Marsh, Bert Roach, Lita Chevret, Allan Vincent, Richard Tucker, Arthur Hoyt, Florence Roberts, Charlotte Merriam, Bryant Washburn Jr.
Terry Cummings (Marian Marsh), working at the cigar counter in the Cortez Hotel lobby, has been living in the Big City—New York, in this instance—for long enough to know that men, young and old, rich and poor, want Just One Thing. She’s tried to inculcate the same wariness in her kid sister Betty (Joan Marsh), who’s recently arrived from the country to live with her, but to no avail: Betty has fallen hook, line and proverbial for garage mechanic Roy Andrews (Washburn).
Terry’s right about most of the men she meets: as soon as they set eyes on her they develop extra hands. She uses them for the gifts they give her—groceries, nights out—then fobs them off easily when they try to go further. She’s invented a sick old grandmother with whom she supposedly lives as a means of quenching the passions of those who suggest going back to her place.
Alan Preston (Kenneth Thomson) sees the two Cummings sisters, Terry (Marian Marsh) and Betty (Joan Marsh), side by side for the first time.
One night Terry arrives home with playboy Alan Preston (Thomson) and they run into Betty. Preston positively drools over Betty, who has the aura of being an order of magnitude more virginal than Continue reading