US / 68 minutes / bw / Columbia Dir: John Francis Dillon Pr: Harry Cohn Scr: Jo Swerling, Dorothy Howell Story: “In the Secret Service” (unpublished) by Jo Swerling Cine: Teddy Tetzlaff Cast: Jack Holt, Constance Cummings, Boris Karloff, Claude King, Bertha Mann, Edward Van Sloan, Willard Robertson, Tommy Jackson.
A few weeks ago I posted here about the 1946 movie Behind the Mask, which is one of the dire Monogram series featuring the pulps character The Shadow. I thought it might be interesting to check out its 1932 namesake, especially since it doesn’t feature The Shadow (although the arch-villain is at one point referred to as “a phantom, a shadow”!). My interest was further piqued when I was reminded that the cast includes Constance Cummings and Boris Karloff.
Jack Holt as ‘Quinn’ (left) and Boris Karloff as Henderson
The initial premise is familiar to anyone who watches too many old crime movies. A Secret Service agent, Jack Hart (Holt), is incarcerated in Sing Sing under a nom de guerre, Quinn, in order to ingratiate himself with another prisoner, Jim Henderson (Karloff), who’s known to be part of a major drug-running ring. The ruse works: Henderson is keen the two work together after their release and, when Quinn proposes to bust out of jail on his own, gives him an address where he’ll be “looked after.”
Constance Cummings as Julie
So Quinn fakes a breakout and a police chase, and ends up at a house occupied by senior gang member Arnold (King) and Arnold’s unwitting daughter Julie (Cummings), plus a housekeeper/nurse placed there by the gang’s mysterious leader to spy on them, Edwards (Mann). Continue reading
US / 60 minutes / bw / Monogram Dir: Phil Karlson Pr: Joe Kaufman Scr: George Callahan Story: Stories in Shadow Magazine based on characters created by Walter B. Gibson Cine: William Sickner Cast: Kane Richmond, Barbara Reed (i.e., Barbara Read), George Chandler, James Flavin, Pierre Watkin, Dorothea Kent, James Cardwell, Claire Carleton, Jack Overman, Jo Carroll Dennison, Frances Robinson, Almira Sessions, Nora Cecil, George Lewis, Dewey Robinson, Anthony Warde, Bert Roach, George Lessey, Douglas Wood.
The third and mercifully the last of Monogram’s series of The Shadow B-features. Surprise, surprise, but The Shadow/Lamont Cranston (Richmond) finds himself accused of murders he didn’t commit—although, as Lamont himself points out, there’s a variation in the formula: last time, in Behind the Mask (1946), Lamont had to clear The Shadow of murders he didn’t commit; this time The Shadow has to clear Lamont.
Barbara Read as Margo (left) and Dorothea Kent as Jennie
Wealthy collector James Douglas (Lessey) is murdered in his home and a valuable statuette, the Jade Lady, is stolen. The obvious culprit, so far as we viewers are concerned, is hoodlum Ox Walsh (Overman), whose enmity Continue reading
US / 68 minutes / bw / Monogram Dir: Phil Karlson, possibly augmented on bad days by William Beaudine Pr: Joe Kaufmann Scr: George Callahan Story: Arthur Hoerl, based on characters created by Walter B. Gibson and stories in Shadow Magazine Cine: William Sickner Cast: Kane Richmond, Barbara Reed (i.e., Barbara Read), George Chandler, Dorothea Kent, Joseph Crehan, Pierre Watkin, Robert Shayne, June Clyde, James Cardwell, Marjorie Hoshelle, Joyce Compton, Ed Gargan, Lou Crosby, Bill Christy, Nancy Brinckman, Dewey Robinson, Jean Carlin, Laura Stevens.
Kane Richmond as Lamont and Barbara Read as Margo
In the second of Monogram’s three installments of Shadow chronicles—the first was The Shadow Returns (1946)—the “humor” has been allowed to swallow up entirely any elements of suspense that might have been there.
On the eve of the marriage between Lamont (Richmond) and his secretary, Margo (Read), someone impersonating The Shadow knocks off blackmailing journalist Jeff “Man About Town” Mann of the Daily Bulletin (Cardwell) and—for no apparent reason—a Continue reading
US / 61 minutes / bw / Monogram Dir: Phil Rosen Pr: Joe Kaufman Scr: George Callahan Story: Walter B. Gibson for the character and the stories in Shadow Magazine. Cine: William Sickner Cast: Kane Richmond, Barbara Reed (i.e., Barbara Read), Tom Dugan, Joseph Crehan, Pierre Watkin, Robert Emmett Keane, Frank Reicher, Lester Dorr, Rebel Randall, Emmett Vogan, Sherry Hall, Cyril Delevanti.
This was the first of three comedy-crime adaptations to screen of Walter B. Gibson’s famous pulp character that Poverty Row studio Monogram released in 1946. The other two were Behind the Mask and The Missing Lady. This one had Phil Rosen at the helm (although it has been reported that William Beaudine did some filling in); the other two were done by Phil Karlson.
Lamont Cranston (Richmond) is outwardly a respectable young man of business who never seems to do any work; because he’s the cherished nephew of Police Commissioner J.R. Weston (Watkin), he and his secretary/fiancée Margo Lane (Read) are allowed to horn in on police investigations, to the ill concealed fury of Inspector Cardona (Crehan).
But there’s more to Lamont Cranston than meets the eye. His secret persona is as The Shadow, a mysterious vigilante crime-solver who, on donning his special garb—a mask and fedora—slips unobtrusively from Continue reading