vt Girls on Probation; vt A Dangerous Age
US / 62 minutes / bw / First National, Warner Dir: Arthur Lubin Scr: Lawrence Kimble Story: Jean Negulesco Cine: George Barnes Cast: Bonita Granville, Dolores Costello, Donald Crisp, Natalie Moorhead, Lucille Gleason, Donald Briggs, Emmett Vogan, Loia Cheaney, Leo Gorcey, Ellen Lowe, Mary Doyle, Paul Everton, Bernice Pilot, Stymie Beard, Meredith White, Gloria Fischer
On the face of it, this looks to be yet another comedy of rebellious youth—and with an appropriately lightweight star to reinforce that impression—but in reality there’s a whole lot more going on in The Beloved Brat than you might expect. And Bonita Granville, while hardly reaching Shakespearian heights, demonstrates that she was a weightier actress than her reputation might suggest.
On the eve of her thirteenth birthday, Roberta Morgan (Granville) is the epitome of the spoiled brat. And it’s hardly any wonder: Daddy, Henry Morgan (Crisp)—whom the screenplay bizarrely rechristens John Morgan later on when another character called Henry turns up—is totally absorbed in his business of making oodles of money, and regards the raising of Roberta as the domain of his wife Evelyn (Moorhead). Trouble is, Evelyn is entirely self-absorbed, devoting all her time to her social life and to fashionable charities that are in reality self-serving; she has no interest in her daughter, and is prone to fits of the vapors whenever thwarted.
Bonita Granville as Roberta
The only person in the household who seems to care much about Roberta is Continue reading
US / 67 minutes / bw / Universal Dir: Arthur Lubin Scr: George Waggner, Lester Cole Story: Synthetic Gentleman (1934) by Channing Pollock Cine: Milton Krasner Cast: Louis Hayward, Eric Linden, J.C. Nugent, Barbara Read, Irving Bacon, Robert Greig, Pierre Watkin, Sheila Bromley, Paul Everton, Nana Bryant, Joe Crehan, Selmer Jackson, Jan Duggan, Polly Bailey, Aileen Carlyle, Guy Usher, Fay Helm, Eric Wilton, Matty Fain.
Near-grifters Barry Gilbert (Hayward) and his elderly chum Doc Norton (Nugent), having been cleaned out at the races, hitch a ride to Belmont, New York State, where Barry’s convinced he can get a job, even if it’s only flipping burgers—after all, he’s had jobs before, as a journalist, an actor, a . . . The pair get a lift in the back of a truck, but when the driver turns off they have to climb out—in the middle of both the night and a rainstorm. The dialogue says they’re in Westchester; a bit of documentary evidence onscreen suggests Pleasantville. They creep up to a deserted house, break in, and prepare for a night of comfort before hitting the road again.
Barry (Louis Hayward) begins to get used to the life of luxury.
But just then Continue reading
These two Old Dark House melodramas were based on novels by Medora Field, a novelist of whom I knew nothing until recently, when Curtis Evans of The Passing Tramp posted an essay about her. She was a friend of Margaret Mitchell (who encouraged her to write) and produced just the two novels. Before the end of this year (2014) the two are to be reissued as a double volume by Coachwhip, with an introduction by Evans. For more, see his piece at The Passing Tramp.
UPDATE: Evans has just announced that the two novels are now indeed back in print — as individual volumes, it appears, rather than a double volume. Go check out the covers and other details Right Now.
Who Killed Aunt Maggie? (1940)
US / 70(?) minutes / bw / Republic Dir: Arthur Lubin Scr: Stuart Palmer, Frank Gill Jr, Hal Fimberg Story: Who Killed Aunt Maggie? (1939) by Medora Field Cine: Reggie Lanning Cast: John Hubbard, Wendy Barrie, Edgar Kennedy, Elizabeth Patterson, Onslow Stevens, Joyce Compton, Walter Abel, Mona Barrie, Willie Best, Daisy Lee Mothershed, Milton Parsons.
Kirk Pierce (Hubbard) runs a company that produces radio shows for advertisers to endorse. The latest demo he’s listening to is The House with the Secret Room by Sally Ambler (Wendy Barrie), and Continue reading