An early role for the “Mexican Spitfire” in a tale of Caribbean derring-do!
US / 83 minutes / bw / Inspiration, UA Dir & Pr: Henry King Scr: Fred DeGresac, Clark Silvernail, N. Brewster Morse Story: Out of the Night (1925) by Rida Johnson Young Cine: John Fulton, Robert M. Haas, Mack Stengler Cast: Lupe Velez, Jean Hersholt, John Holland, Gibson Gowland, Harry Allen, Al St. John, Paul Burns, George Bookasta, Ulysses Williams, Ruth Hall, Rondo Hatton, Sextetto Habanero.
Velez’s second talkie—after Tiger Rose (1929) dir George Fitzmaurice—is a comedy- and music-laced melodrama that, despite suffering some problems of pacing, is really quite entertaining, primarily because of Velez’s effervescent presence.
Hell Harbor, a colony somewhere in the Caribbean, is largely populated by the descendants of pirates. One of these is Anita Morgan (Velez), daughter of Henry Morgan (Gowland), the several-times-great grandson of the famous pirate likewise called Henry Morgan. Anita’s dream is to escape from her often abusive father and the cesspit of Hell Harbor to live in Havana, Cuba, which she regards as a sort of heaven on earth:
Anita: “I want to see Havana now! Havana, with its music, its riding carriages . . . and wash all over every day!”
Peg Leg (Harry Allen) strikes a bargain with Horngold for the pearls.
Her father is not just a brute but a murderer. In the movie’s opening scenes we see an English drifter called Peg Leg (Allen) sell a Continue reading